#i had a lot more to say than i thought lol | Explore Tumblr posts and blogs

waynes-multiverse · 3 days ago

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*runs to refill tea (and rum)* I'm back, baby! 😎

(Also, before I come across as some drunk, I'd like to clarify I haven't had a drop of alcohol before pregnancy, so Christmas 2022, whoa... 👀🙈😂)

Clearly having a blast and couldn't imagine a better Christmas than reading one of your amazing stories, friend ❤️

Russell happened to spot the cozy little scene from the doorway. He couldn’t help staring, and trying not to frown. When Colter caught sight of his brother loitering (and that look on his face), Colter tried to hide most of his smile.

Loved that little moment of jealousy there. How do you like tasting your own medicine, Russ? 😂

I absolutely loved their pizza and movie date at home. And they already shared so much with each other 🥹 The fact he felt secure enough to open up to her after this short amount of time says a lot, considering Dory hasn't even told her the story yet. I love them 😭🤍

She did offer, he thought, remembering what you’d said at the hospital. And yet, he hesitated.

Honestly, in this day and age, it's always best to wait for renewed consent (even though I'm pretty sure she wouldn't have minded in the least lol). Loved that he recognized that and hesitated!

You watched him go when he headed across the hall back to Charlie’s room. You sighed and beat your hand against your own forehead in frustration. What the hell am I doing?

Poor girl 😂💕 The morning after is always a tad awkward – especially if everything is still in the balance of will they/won't they and nothing *sexual* has happened yet 😅

“Well hey there, cowboy,” you said, adopting a more sensuous tone. “I had a feeling you’d be packing. What’s that, a .45, or a 38 Special?” Russell’s eyes blinked wide. Then he erupted with deep laughter that made his shoulders shake. Aside from throwing a punch, your brother must’ve taught you something about guns too. “Well thank you, kindly,” Russell said, putting on a bit of a southern drawl, just to tease you. “But you’re about to find out, naughty girl.”

Absolutely adored this exchange! ❤️

Oooof, and that smut may have been my undoing for tonight! Holy hell!!! 😮‍💨🔥🌶️

“You know, drug dealers aside, Laramie isn’t such a bad place to live,” you pointed out. “We’ve got a movie theater, a couple good outlet malls, a new Tex-Mex restaurant that just opened down the street. I’m gonna have to find a new bar though.”

Again, she's so cute 😆🤍

I do hope they work something out. I don't think Russell would've necessarily taken the "big" step, knowing her feelings on this, if he hadn't planned to try and make it work somehow ❤️

He’d found where he wanted to be.

Perfect ending, friend 🥹💚 (You know I love a bit of drama and angst in an ending lol)

I loved this series so goddamn much! It fit so well with every character and gave so much that the show didn't (like that awesome family reunion of the three Shaws). Can't wait to get into the one-shots over the holidays 😍

Again, the merriest of Christmases to you and your family, Alex! Thank you for always being a wonderful friend 🤍🎄

Every Second Counts - Part 5

Pairing: Russell Shaw x F. Reader

Summary: One date with your best friend’s brother leaves you wanting more, even though his questionable job and vagabond lifestyle make you want to guard your heart. When your brother falls into trouble, however, Russell is the one you trust to help you find him.

AN: I thought about breaking up this chapter into two parts, but for some reason it didn’t feel right. I hope you enjoy the finale! I think this is the moment we’ve all been waiting for…

Word Count: 7K

Tags/Warnings: 18+ only! Fluff, angst and hurt/comfort, ‘90s movie reference, mutual pining and tension, and a strong dose of smut.

💜 Series Masterlist

Part 5: “Damn Worth It”

You borrowed Russell’s cell to call Dory from the hospital. You let her know that Charlie was stable and resting, and that Russell was bringing you home.

You should’ve known that when you two got there, you wouldn’t have the kind of privacy you craved. Colter and Dory were waiting in his car, parked in your driveway. They met you in front of your house, where Dory pulled you into a big, swaying hug. She cried, you cried, and her brothers hung back to watch the warm scene.

Dory pulled back to get a better look at you. She hesitated to touch the bandage above your brow.

“God. Are you okay?” she asked.

“Yeah, I’m…I’m fine,” you sniffed, wiping at your face. “Come on, let’s go inside.”

Dory actually had your keys. After she handed them to you, you took in a steadying breath, and you unlocked your front door without incident this time. You invited everyone in.

Even though you told her not to, Dory began straightening up a bit for you. She had Russell take out the trash while she washed the dishes.

Meanwhile, you pulled Colter aside in the living room. You led him to sit with you on the couch.

“Can I at least give you $1,000?” you asked. It was all you had left in your savings, but the man had literally saved your brother's life, and yours as well. “I know it’s not much, compared to what your jobs usually get you—”

“Please,” Colter said. He touched your arm. “Don’t worry about it. I’m just glad you and Charlie are safe.”

You teared up all over again, but you gave him a smile and held his hand with both of yours.

“Thank you,” you said.

Russell happened to spot the cozy little scene from the doorway. He couldn’t help staring, and trying not to frown.

When Colter caught sight of his brother loitering (and that look on his face), Colter tried to hide most of his smile. He let go of your hand, patted your shoulder and stood. You followed him to the kitchen, where he went to check on Dory. Russell filtered in behind you both.

“Hey, wanna grab some lunch?” Colter asked his sister.

She gave him a raised brow. “Wow, my brother actually wants to hang out with me instead of rushing off to the next job?”

He gave her an amused look. “I’ve got some time.”

Dory was happy to hear that, but her expression dimmed when she turned to you.

“Would you want to go? Or do you need to rest?” she asked.

“Oh, I need to get cleaned up, and then sleep for about ten years,” you said. “But you go, D. Have fun.”

She frowned. “I don’t want to leave you here by yourself.”

“Well, she won’t be,” Russell chimed in. “I’m gonna hang out here for a bit, clean up and take little power nap myself.”

At that, Dory slowly smiled, both amused and suspicious. Her gaze slid back to you.

“Are you sure?” she asked. You read the double meaning laced in her tone.

“Yeah, definitely,” you said with a smile, and the beginnings of a warm blush. “You guys go ahead.”

There was a knowing gleam to her own smile, but Dory shrugged and gave you one last hug. She and Colter said their goodbyes to their older brother before they headed out. It left you alone in the house with Russell for the first time since this all began.

“Um, you can use the guest bathroom if you want to shower,” you told him. “Towels are under the sink, and feel free to borrow any of Charlie’s clothes if you need.”

“It’s okay, I’ve got a bag in the car with some stuff,” Russell said, tossing a thumb over his shoulder. “I take one wherever I go.”

“Smart,” you nodded. “Very prepared.”

A strange silence stretched between you two, until you couldn’t take it anymore.

“I’m just…gonna go clean up,” you said. “We can order some food after?”

“Yeah, sounds good,” he said. He was amused as he watched you scurry off, after giving him another smile over your shoulder.

Though he’d be lying if he said he didn’t feel a small trill of nerves himself. It brought him a little bounce in his step as he headed out to his car to grab his stuff.

By the time you were done showering and drying your hair, Russell had ordered a pizza (and a side of fries). You padded out into the living room in an old college shirt and pajama shorts. He tried not to linger his gaze on your smooth, bare legs.

“Sorry, forgot to ask if you’d want something else to eat,” he said.

“Pizza is perfect,” you said. At this point, after almost a full day without food, you’d eat sliced bread out of the bag. You gave him a teasing look. “I’d ask you if you wanted a beer, but I’m afraid it’s not up to your standard.”

“Well, that’s okay. I happen to have brought a sample for you, just like I promised,” he said, with that grin of his you’d come to expect.

He retrieved a case of homebrew from his car, but you had to add some ice cubes into a tall glass before you joined him back on the couch. You poured the contents of a bottle into the glass.

“Sorry, I know this is sacrilege, but I can’t drink warm beer,” you said.

“I can’t fault you, though I didn’t really peg you for a pizza and beer kind of girl,” he said. He tipped a swig of beer into his mouth, right from a lukewarm bottle. He was a purist.

You quirked a brow at him and took another bite of your pizza slice.

“Why not?” you asked, after swallowing a mouthful of pepperoni and mushroom.

Russell shrugged. “Never mind. Forget I said anything.”

“No, no. I want to hear this,” you said. “What, because I teach college students?”

Russell looked over at you and leaned on his elbow, resting above his knee.

“You’re a college professor with a handful of degrees,” he said. “I’ve got a GED and a give ‘em hell outlook on life.”

You shook your head at that.

“We’re different. That’s not a bad thing,” you said. “And like my brother, you’ve fought for this country. You’ve saved lives, including mine. I’d say that’s pretty damn special.”

His head tilted at that. He didn’t want to remind you that, just like you saw today, he’d taken lives too. Perhaps just as many as he’d saved. You could debate the quality of those lives, but in the grand scheme of things, he knew what he was. A trained killer.

He rolled his shoulders, feeling a familiar weight.

You didn’t like the pensive look on his face, so you aimed to distract him.

“Want to watch a movie?” you suggested.

Russell inclined his head. “Sure. What you got?”

That was how the two of you ended up finishing the box of pizza and a case of beer while laughing at Tommy Boy, of all things—one of the best '90s buddy road trip comedies of all time. Apparently Russell had never seen it before, but you enjoyed watching him experience it for the first time. He had a deep, infectious laugh that made you laugh just by proximity.

Later in the movie, the reluctant, unlikely duo of Tommy and Richard hit a deer, and tried to transport it in the car. Russell both laughed and cringed when the animal woke up and thoroughly wrecked the car from the inside. You noticed his reaction and nudged him in the arm.

Russell held in a grunt of pain when you unintentionally hit his injured shoulder, bandaged underneath his gray henley.

“What if that was the Chevelle,” you teased.

He cast you a playfully chiding look. “Woman, don’t even joke.”

You laughed and squeezed his forearm in a friendly gesture. But he thought there was more than just friendliness when you shot him that little smile. He decided to take a chance.

“Come ‘ere,” he said. He slid a hand around your waist and guided you closer until you came to lay against his side. You allowed yourself to rest against him, splaying your hand flat against the firm wall of his chest. Your heart tripped up faster, but you also relaxed more fully for the first time since you got home. You let out a long breath, and you used the remote to lower the volume on the movie a little.

“Do you think Charlie will be able to get past this?” you asked quietly. “Think he’ll be okay?”

Russell hummed as he thought back to his conversation with your brother in the hospital. Charlie was still young, but he seemed to realize what he’d done, and what he needed to change. He wouldn’t have volunteered himself for rehab if he hadn’t.

Russell brushed your arm with his thumb. “Well, I think he knows what he needs to do. If he’s anything like you, then he’ll be all right.”

Your mouth tugged upward, though you considered his words with a sigh.

“He hasn’t had it easy,” you said. “He was barely eighteen when our parents died. Suddenly he had to be an adult. In fact, he almost didn’t finish high school. Had to take care of the funeral, had to get a job, had to take care of me…and I didn’t always make it easy on him.”

Russell’s lips curved in light of your faint smile. Then, your expression dimmed.

“He pulled me out of the car,” you admitted. Russell looked down at you.

“You all were there?” he asked.

“My dad was driving. We’d just gone out to dinner as a family,” you said.

You hesitated as the scenes once again filtered through your mind. Some things were hazy. Others, you could see with perfect clarity. You remembered how your parents argued about the best way to get home while the pouring rain beat down overhead, half-drowning out their voices.

You remembered what the flash of a red stoplight looked like through the car window, with streams of water coming down, and a dead leaf stuck to the glass.

You remembered the sound of horns blaring in your ears, the crunch of metal on metal. Your mother’s scream. The feeling of being suspended, and then ricocheted painfully through time and space.

Then the smell of exhaust, and the metallic tang of blood.

“We were heading through a terrible storm,” you said, after letting out a long breath through your nose. “By the end of the night, it was just me and Charlie in the hospital.”

He’d broken his arm, but thanks to him, the only thing you really walked away with were a few cuts and bruises, and the memories of that day. They were like old scars, painful and tender at the touch.

Russell shook his head, his brows knitting together. “I’m sorry.”

“Yeah,” you breathed. “And I’m sorry too. I know you understand what it’s like to lose a parent.”

The movie played on as that new weight settled between you. Russell fell into his own thoughts as he continued to rub your arm in comfort. His own past wasn’t like yours, but he did understand some of your pain.

“How much did Dory tell you about how we grew up?” he asked.

You shifted a bit, so you could see his face too.

“I know your dad took you all to a cabin in some sort of compound in the woods, when you all were still pretty young.”

“He taught us to live off the land. Drilled us, really,” Russell explained, noting your raised brows. “Yeah, he was…well, a paranoid bastard, to be frank. We still don’t know all of why, and what drove him to move us out there.”

“Dory said he was…eccentric,” you said. Russell snorted.

“He was a piece of fucking work,” he said. “Half the time I hated him, if I’m honest.”

That part was hard to admit, even if it was true. Your hand soothed across his chest, more comforting as you listened. Russell’s lips quirked. He liked that about you, that you were willing to listen without judging him, or his family. Maybe that was another reason Dory seemed to love you so much.

“But one night, it was like he snapped,” he said.

For a moment, he was lost in the memory. His father’s anger, and the damn crazy look in his eyes.

“What happened?” you asked quietly.

Russell glanced at you again. “I don’t think you wanna hear this right now.”

You shook your head. “No, I do.”

He hesitated, but that earnest look in your eyes got him. Still, he surprised himself when he actually told you. He explained it the best he could, the way he saw it in his mind’s eye.

Their mom had been missing, hadn’t come home yet. Then his dad had torn around the house like a man possessed, until he told them it was time to leave for their own safety. Dory had been scared, especially when he grabbed her, yelled at her.

That was the one thing Russell couldn’t tolerate. So he snapped, yanking the older man back and shoving him away. It was one of the first times Russell had ever defied his father.

Ashton Shaw left them then, heading out into the night and the rain. Maybe he’d realized what he was doing to his own kids, his own family.

Colter wanted to follow after him, but Russell stopped him. Being the eldest, he took on the responsibility, even if he’d been reluctant. We’re better off without him…

He was barely sixteen at the time, but Russell knew he’d seen his father arguing with someone—a man he’d seen before, talking with his mother. And then…

“I watched him die that night,” Russell said.

Your hand clenched in his shirt, reminding him that you were still in his arms, still listening. He remembered that scene, looking over the cliff to find his father’s broken body down below.

“He fell, and I couldn’t stop it,” he said. “And to this day, I still don’t know what all that was about.”

He’d been reluctant to tell even Colter that it still haunted him sometimes; that night, and the not knowing.

You pulled yourself up further so you could meet Russell’s gaze.

“I’m so sorry,” you said.

The movie had long faded into the background, but at least it gave some white noise for the next heavy beat that passed between you two. His eyes eventually fell away from yours.

“It’s old history,” Russell said at last.

“It’s not just history,” you denied softly. “It’s your life.”

He didn’t know what to say to that, so he just hummed in agreement. He encouraged you to relax against him again, with a warm hand on your back. You settled and released another contented sigh. Even though Russell’s story weighed on your heart, you did feel closer to him. It made you feel like you understood Dory better too, and even Colter.

Russell rubbed your arm. “You doin’ okay? You’ve had a long day.”

“Day and night,” you agreed. Your eyes closed against your will. “But, yeah…I think I’m okay now.”

At that, he smiled. He laid a kiss on your forehead.

“Good,” he said.

A few minutes later, Russell heard your soft, deeper breaths in sleep. He chanced grabbing a throw blanket laid over the back of the couch. He managed to toss it over your body, but he made sure it covered you. You shifted in your sleep and curled up more comfortably against him.

Russell smiled down on you fondly. He’d learned a hell of a lot more about you in just the past couple of days, but ever since he met you, he’d been picking up on the important things. The things that made you the woman you were.

And he wanted more, he realized. He wanted more time with you.

That turned out to be the last real thought he had before his eyes closed on him too.

Russell didn’t wake again until the credits on the movie were rolling near the end. You were still knocked out. So he carried you, blanket and all, over to your bedroom.

He smelled the remnants of your floral shampoo and body wash in the air, likely coming from the bathroom. It was an intoxicating mix, one that had infiltrated his nose ever since you came out of the shower today.

It was only 6:00 p.m., but it might as well have been midnight. He laid you down toward the middle of the bed. There was still space on the other side. Very tempting.

She did offer, he thought, remembering what you’d said at the hospital. And yet, he hesitated.

Before he could make a decision, you made it for him. Your hand reached out to hook in his shirt.

Russell looked down at your sleepy smile.

“Get over here,” you said, tugging him downward. He chuckled and wrapped his hand around yours. He allowed you to guide him over, and he somehow managed to roll onto the other side of the bed without crushing you.

“Reflexes like a cat, I tell ya,” he quipped.

You giggled softly. He took off his first layer of defense (his pants), leaving him in his henley and boxer briefs. He settled into bed behind you and slipped an arm around your waist. He fit in snug against your back.

“Mmm,” he sighed. His lips pressed behind your ear, smiling there. “Feels nice.”

“Mhmm,” you agreed.

He couldn’t see your smile, but you held his arm in place. For the first time in a while, you weren’t alone.

In the early morning, you woke up to warmth and closeness. The man in your bed snored lightly, mouth parted in sleep while he faced you. You smiled.

How could a man who felt dangerous, in more ways than one, also make you feel safe? It was a wonder. Though when an idea hit you, you carefully slid out of bed.

Russell eventually roused in his own time. He blinked awake, rubbing the sleep from his eyes. He stretched out his limbs in your very comfortable bed. This sure beat rusty motel springs.

He realized that he was alone in the room, but he heard you puttering around the house. He allowed himself to doze some more.

A few minutes later, you returned to greet him with a couple of mugs, drawing him back into the waking world with the rich smell of coffee.

“Aww yeah, that’s the stuff,” he said. He groaned as he slowly sat up.

You laughed and sat beside him on the edge of the bed. “Good morning.”

“Morning,” he said. His voice was deeper and rougher with sleep, washing down your spine pleasantly.

He accepted the mug you offered him. He took a sip and hummed in pleasure at its bold flavor. It wasn’t as sweet as he usually liked it, but it was exactly what he needed right now.

“I just did a little sugar and creamer. That okay?” you asked.

“It’s good,” he nodded. And you looked good, he noticed, with your bed-tousled hair and an open robe over your tank top and little shorts.

“Do you want to meet Dory and Colter for breakfast?” you asked. “Dory texted me this morning.”

Russell’s brows shot up.

“Colt stuck around?” he asked.

“Yeah, Dory asked him to stay at her place last night,” you said. Russell hummed in response.

A bit of an awkward lull fell between you. You’d felt bolder yesterday in the hospital, but now, you weren’t entirely sure what you were doing with a man who just slept somewhat-but-not-altogether platonically in your bed.

“Um, I’ll just…get ready then,” you said, pointing to the bathroom. “You…take your time.”

He cleared his throat. “Uh, yeah.”

He peeled back the covers and climbed out of your bed, away from the sheets that smelled like you.

You watched him go when he headed across the hall back to Charlie’s room. You sighed and beat your hand against your own forehead in frustration. What the hell am I doing?

You’d literally invited him into your bed last night, but he hadn’t done anything more than hold you while you slept. It was incredibly kind, and it said a lot about him, despite his rough-around-the-edges exterior. You were just a little disappointed that he’d been a perfect gentleman about it all.

You rolled your eyes at yourself. What did that say about you?

You shook your head and resolved to freshen up. There was still a cut that the ER nurse covered with a butterfly bandage above your brow. You cleaned it up and applied a new bandage. Then you put on some makeup to cover the ugly bruise on your cheek and the dark circles that lingered under your eyes.

God, look at me. You actually wouldn’t blame Russell for not being into you enough to make a move.

A bit disheartened, you changed out of your pajamas to slip on a nice, but comfortable dress over your bra and underwear. Afterward, you paused to stare at yourself in the mirror for a moment. What exactly do you want here?

“Hey, uh—” Russell’s voice startled you, making you flinch. Maybe you were still jumpy.

He raised an apologetic hand. “Sorry. Just thought I’d ask if you want some toast or something. I don’t think my stomach can wait ‘til we meet up with Dory.”

You smiled faintly. “Sure, go ahead. Whatever’s there, you’re welcome to.”

Russell paused, tilting his head. There was something off with you. He saw it, and felt it.

“Hey, you okay?” he asked.

“Yeah,” you said, glancing away.

Russell’s spidey senses began to tingle. He approached you and laid a hand on the counter, inches from yours.

“You sure?” he said. He took in your hesitant face, then the pretty dress you had on. The color matched your eyes. Soulful eyes.

He smiled when you let him see them again.

“Can you see the bruises? I think I covered them up well enough,” you said. You turned to look at yourself in the mirror again, touching your jaw carefully.

Russell’s hand raised to find your cheek, earning your attention with wider eyes. His thumb swept across your skin as you started to blush.

“You’re beautiful,” he said with a smile. “Don’t you worry about that.”

Your face warmed further, despite your smile.

“Yeah, the makeup helps,” you quipped.

“I didn’t say anything about makeup,” he replied. Though he grinned and made a show of looking closer at your face. “Although, have your lashes always been that damn long?”

You laughed, but he didn’t let go of you. Instead, his hand drifted down to your neck, cradling your jaw. His thumb brushed over your lower lip this time, smudging your lipstick a little. Your eyes met his, but they’d already lowered, to the path of his hand. You were tempted to nip at his thumb, or better yet, suck it into your mouth.

Perhaps he read the thought crossing your face. Because when those darkened eyes flicked up to yours, he finally bowed his head to kiss you.

You took in a deep breath, and you melted into his mouth with a moan of wanting. A craving from the depths of your heart, finally being fulfilled.

You didn’t let yourself think anymore. You gripped the front of his shirt and pulled him closer. He cupped the back of your head, tangling his fingers into your hair as he deepened the kiss. His tongue invaded your mouth, and you let him in. You met his every kiss with the same fervor, claiming him right back, demanding just as much.

Your hands slid up his chest and helped him shrug off the green jacket first, then his shirt (Led Zeppelin this time). He hooked an arm around your waist and brought you flush against him, so he could turn you around and walk you back to the bed.

You clung to his bare shoulders and savored the feeling of his warm, calloused hands burning up your thighs and ass, bunching the skirt of your dress. You helped him get it over your head and toss it onto the floor along with his clothes.

As he held you by the waist, his gaze dipped for a moment to take you in, from bare thighs and hips and lacy panties, all the way up to your breasts cupped in your bra. Through panting breaths, you smiled and blushed at the heated depths of his green eyes. You felt like your heart was beating in and out of rhythm.

But you managed to get a hold of your nerves long enough to drag your hands down his chest, down to his belt. You unclipped it for him and took your time in sliding the entire belt out of its loops. Then you let the brown leather fall to the floor.

Russell raised a brow at you, smiling. Taking your challenge for what it was, he unbuttoned his jeans himself and aimed to step out of them, but he had some trouble when one of the pant legs got caught around his ankle and sock-covered foot.

“Shit,” he muttered as he stumbled a little. “Hold on.”

Unable to help a small giggle, you grabbed his left arm to help steady him. He hissed in pain, but he cleared his throat to cover it. You gasped as you realized what you’d done. You noticed then that he had a bandage tightly wrapped above his elbow, right below one of his tattoos.

“What’s this?” you asked in concern. You held his arm with both hands. “Did you get shot? Did you get this looked at when we were at the hospital?”

Russell staved off your questions with a gentle hand on your shoulder.

“It’s okay. This is old, just still healing up,” he said.

You frowned up at him. “You got stabbed, shot, what? When did this happen? I thought you worked in private security.”

“A couple months ago. I got, uh, grazed. Don’t worry about it,” he said. “Sometimes the job gets a bit dicey.”

He could tell though, that you weren’t going to let it go easily.

“Let me see,” you said, trying to peek under the bandage. Russell laughed and gathered you into his arms to stop your attempts. Your concern warmed him, but it wasn’t necessary.

“I’m fine, sweetheart. I promise. Can we focus on the fun part, here?” he said.

Your brows furrowed. You opened your mouth to reply, but Russell saw the testiness in your eyes. He dipped down to kiss you, swallowing whatever snippy remark you were about to make.

You weren’t the only one giving into a craving here. Russell’s was bone-deep, molten in his blood, and getting to see you, to feel your soft body under his hands was already so much better than he’d imagined. His hold tightened on your waist, his fingers pressing into your skin.

A shudder ran up your spine at his touch. You circled your arms around his neck and let him continue ravishing you, then laying you down onto the bed.

While you were careful about avoiding the bandage, your hand did drift down his arm, and further still, to palm at the straining bulge pressing against you. And Jesus Christ, did it feel generous. He grunted at your touch and paused with his lips against your jaw.

“Well hey there, cowboy,” you said, adopting a more sensuous tone. “I had a feeling you’d be packing. What’s that, a .45, or a 38 Special?”

Russell’s eyes blinked wide. Then he erupted with deep laughter that made his shoulders shake. Aside from throwing a punch, your brother must’ve taught you something about guns too.

“Well thank you, kindly,” Russell said, putting on a bit of a southern drawl, just to tease you. “But you’re about to find out, naughty girl.”

You giggled as he began to kiss your neck, languid and sloppy. He blazed a wet trail down the column of your throat and between your breasts. His beard rasping against your skin made you shudder a little, but it wasn’t unpleasant. In fact, you quite liked that a lot.

He slipped a hand underneath you to unclip the black lace. You arched into him so he had easier access.

He slid the bra from your body and tossed it somewhere behind him. Just as he’d imagined, you had beautiful tits. His lips explored each of them in turn, squeezing supple flesh and rolling your sensitive, hardened nipples with his tongue and fingers.

It was a prequel, you thought, for what talents that mouth might have further down. You had to moan just at the idea, your fingers clenching in his hair, but also at the sensations he was drawing from your body wherever he touched. The man clearly knew what he was doing.

He traveled lower still and laid slow, occasionally nipping kisses across your stomach, hips and thighs. His fingers hooked around your panties and lowered them down your legs. You felt his warm breath panting against your thigh. You glanced down at him and tensed in anticipation.

“Still good?” he checked, squeezing your hip. You smiled and reached for his hand. Russell gave it to you, brushing his thumb over the back of your hand in affection.

“I think I’m about to be,” you said cheekily.

He smirked. His other hand smoothed up the inside of your thigh and slipped past your folds, finding wetness that already coated his digits.

“Goddamn. You’re soaked,” he said, just a hint teasing. “Bet if I put my mouth on you, you’d fuckin’ drown me.”

Again, he stopped whatever smart quip you were about to levy at him next when his fingers found your clit. You let out a gasping moan instead.

He decided that he already loved that sound. He endeavored to pull it from you, again and again when he began working you open with his fingers and pumping them inside you. He enjoyed seeing you writhe and arch against his hand. Your hands squeezed his arms, his shoulders, trying to anchor yourself.

His thumb circled and strummed your clit in a rhythm only he could hear in his head, until you couldn’t help biting your nails into his shoulders when you came. You shuddered your release as your core throbbed with warmth and slick around his fingers.

“Fuck, that’s my girl,” he said. His voice rasped deep with arousal. “Wouldn’t even mind if you did drown me.”

You huffed in response, unable to form speech just now.

Next time, Russell thought. He slipped his fingers out of you and licked them clean, making your eyes widen. He smirked and stroked your thigh as you came down, a shuddering mess.

After taking a second to regain your breath, you pulled him down for a kiss, both grateful and fueled by a passion you couldn’t put into words. What you felt for this man was instinctual, from the moment you saw him. And yet, it was also so much more. It was raw, and real, and maybe even beautiful.

The thought spurred you on as your hands moved with purpose down his body. Your nails caught at the waistband of his boxer briefs as you tried to roll them down. You got it halfway down his thighs, enough to let his hardened length spring free. You bit your lip at the mere sight of him. Goddamn.

Your hand slid around his cock, near its weeping head. You used the beads of wetness there to work your way smoothly down to its base. Russell’s body tensed above you, just before he groaned low in pleasure.

You pushed at his chest to have him let you up.

“Your turn, baby,” you said. It would be one hell of a challenge to get your mouth down that beautiful 44 Magnum, but you were more than willing to try.

To your surprise, Russell shook his head and guided you back down.

“Let’s pin that one for next time too. Wanna be inside you already,” he said.

You blinked, but then you nodded in breathless agreement. He kissed you deeply, devouring you with his teeth grazing your bottom lip. His tongue soon slipped out to soothe it.

“Condom?” he panted, between kisses.

“Oh, yeah. Um…bathroom, bottom drawer,” you whispered, though you weren’t sure why you were whispering.

“Okay, two seconds,” he said.

He left you in the bed, quite literally hot and bothered, and very naked. You crossed your arms over your breasts on reflex while you tried to recover. Your core was still tingling, and your heart was beating fast, though you couldn’t stamp out the smile forming on your face.

You heard the sound of foil unwrapping and clothed rustling. When he came back to the bedroom, you finally got a full picture of what you were in for. You unconsciously licked your lips as your gaze dipped down his body, and the indeed impressive package at full mast, and full display.

A grin curved his lips when he caught you staring. He climbed back onto the bed with just a bit of struggle with all the blankets coiled about. He pushed a heavy blanket out of his way, accidentally shoving it to the floor.

“Back to business,” he said.

“Oh, yeah,” you agreed, and you welcomed him back, sliding your hands up his arms and shoulders. You hooked your thigh around his hip as he found his way back between your legs. Holding his bearded face in your hands, you pulled him in for another kiss that reignited you both.

He sunk his hand into your hair and treated you to another slow, deep kiss. Until your thigh tightening around his hip urged him to satisfy what you both had been wanting and waiting for.

He grabbed your thighs and angled you higher. Then he lined himself up at your entrance. Looking into your eyes, your breaths mingling together, he sheathed himself a little at a time. A keening moan fell from your lips.

He started with shallow thrusts, giving you time to adjust. But that in itself was a torturous tease. It made the coil in your lower belly start to tighten again. Pleasure began to thrum inside you, ever slowly. Your head tipped back into the pillows with a gasp.

“God, Russell, please,” you uttered. You squeezed his arms on reflex, your heels digging into his ass.

“I know, baby. Gonna fucking wreck you, I promise,” he said with a grin.

You huffed in amusement. That was a hefty promise.

Though a moan tore from your throat when he finally bottomed out, stretching your inner walls. He groaned along with you. His lips fastened to your neck as he gave you deeper thrusts.

“You feel so good,” you said raggedly in his ear, raking your fingers through his hair. You felt every damn inch of him.

“You too, baby. So damn good,” he gritted out. “Tell me what you want.”

He raised your thigh a bit higher, his fingers pressing into flesh.

“Ugh, fuck,” you gasped, as he hit a particularly delicious angle. “Whatever you want to give me.”

“You sure about that?” Russell asked, panting against your neck. Your nails dragged down his back between the muscles in his shoulders, hard enough to earn a halting groan from him.

You nodded emphatically. “Yes!”

His lips hinted at a smile. “Okay, hold on."

Before you could even respond, he pulled out of you all the way, just so he could guide you over onto your stomach. He pulled you up onto your hands and knees. As he ran a hand down the gentle slope of your back and around the curve of your ass, you breathed harder in anticipation.

“So damn beautiful,” he muttered.

You glanced at him over your shoulder. You unconsciously bit your lip as your heart couldn’t help but swell at his words. Russell met you with a look that betrayed his desire, making your lower belly tremble as well.

He parted your cheeks and slotted himself between your thighs from behind. You once again felt the head of his cock nudging at your entrance, and then pushing back in with one deep plunge. Both of you let out moans of relief at the feeling.

Pretty soon, he was pounding into you deeper and faster than before. Oh, fuck yes…

You clawed at the headboard, trying to find something to keep you stable. Russell’s arm slid around you for a solid support. You held onto him right back with one hand while he continued to drive into you, earning each and every sound coming out of your mouth. He’d finally angled you just right, so he could hit that special spot inside you with every thrust. Your pussy clenched on him in response, making him grunt in pleasure.

“Fuck, you’re close. I can fuckin’ feel it,” he said, panting. He laid a biting kiss where your neck met your shoulder. You cried out in both pain and pleasure, your inner walls once again squeezing on him.

“Yeah,” you nodded, breathless. “This time, you’re gonna come with me.”

You reached back and tangled your fingers into his hair. He held you to his chest and squeezed your breast a bit roughly. You uttered a wanton sound. You dragged his hand down your body to part your folds. You used his fingers to press against your clit.

He picked up your hint, and then took control, massaging you with his fingers. There you began to tremble from the inside out. Warmth emanated from your core and spread outward, down to your toes as you came even harder on his cock.

Russell wasn’t far behind. His voice joined yours as his body locked up, and he spilled hot into the condom. You almost wished he’d come freely inside you, so you could really feel him. Regardless, your body was boneless when he lowered you down onto the bed afterward.

“Holy shit,” you breathed.

He chuckled and kissed your shoulder, before he fully pulled out. Panting for breath though you both were, you managed to twist onto your side and reach a hand for his cheek. Your fingers slipped higher from there, cupping the back of his neck. Your thumb swept tenderly across his cheek, and you guided him down for a proper kiss.

Russell obliged you, his lips meeting yours plush and wet. He brushed strands of your sweaty hair away from your forehead with affection.

Somehow, that last kiss was softer than all the rest.

One thing was for sure though. There was no way you two were making it to breakfast.

“I kind of feel bad now,” you later confessed.

You and Russell were taking a few minutes just to recover under the messy sheets. He held you while sitting up against your headboard. He almost craved a smoke. You’d given him a damn workout.

He smirked at the thought. Admittedly, his mind was more on focused on the scenes replaying in his head than on what you were saying.

“Dory doesn’t get to see you guys that often,” you continued, “and who knows how long Colter will seriously wait for us to get out of bed.”

Russell’s attention drifted back to you at that.

“Come on, it’s not like they know why we’re running late,” he said. You gave him a knowing look.

“Are you kidding? They were already suspicious when you brought me home yesterday,” you replied with a laugh.

Russell grinned and rubbed your arm. He knew you were probably right, but he couldn’t bring himself to care.

“Yeah, well. That was damn worth it,” he said.

You smiled. You rolled your head over on his shoulder, so you could see his face, but you became contemplative as uncertainty crept in. You let in a breath to gather your courage, and you decided to take a chance.

Russell smiled at you. He knew what you were suggesting.

He sighed as his amusement faded.

“Look, even if I stay…” he hesitated.

He looked into your eyes and saw the vulnerability there. You were being honest with him, putting your heart into his hands. The least he could do was be honest. He covered your hand where it rested on his chest.

“If I’m on a job, I could be gone weeks at a time. I won’t be able to tell you where I am or what I’m doing. That’s gonna be hard on you,” he said.

He knew his friend Doug made it work with his wife, but their relationship wasn’t without friction because of the job he and Russell shared.

“I can handle it,” you said firmly.

“You just had a little freak out over a scratch earlier,” Russell pointed out, with a gesturing hand at his bandaged arm.

“Okay, that’s different,” you said.

You wouldn’t say it now, but there were things that still concerned you about his job. You had a strong feeling that "private security" wasn’t all it entailed. However, after what he’d done for you, after what he’d done for Charlie, you knew that Russell Shaw was a good man.

There was something good here, and you didn’t want to lose it this time. You shifted in his arms, so you could face him.

“Look, we can sit down and figure all that out,” you said. “But do you want to at least try? Or…am I reading this wrong?”

Russell stared back at you ruefully. He raised a hand to touch your cheek, grazing your soft skin with his fingers.

“No, you’re not,” he said.

In fact, what he felt already ran deeper with you than he’d like to admit. He let out a long breath through his nose.

“Okay,” he said at last. “If we’re gonna do this, let’s do it right, I guess. I’ll book a motel here in town for now. If things go well, I can…I don’t know, find an apartment.”

Your answering smile broke him down further, even as it warmed him inside. You turned over to circle your arms around his neck, and as an added bonus, pressing your bare breasts against his chest. You kissed his cheek with a happy hum. He laughed at your enthusiasm. He also accepted your sweet path of kisses that led to his lips.

He groaned when it became not so sweet, with your tongue slipping hotly against his. His hold on your hips tightened.

“Uh oh. Baby, we can’t do this now,” he chuckled, even though your hand was already wandering down his body and under the sheets. You both were supposed to be getting ready to meet his brother and sister for lunch.

“Five minutes,” you said against his lips. All the while, you were pushing him back onto the bed. You began to kiss down his chest, and lower still.

Russell snorted. Right.

But he wasn’t about to argue with you. He had a gut feeling…one that made him almost certain.

He’d found where he wanted to be.

AN: Well, then! I hope you enjoyed the "happy ending." 😘 I always get a bit sad at the end of a series, but thank you to everyone who's followed the ride on Every Second Counts. Let me know what you thought of how it all shook out here at the end between her and Russell! 💜

Read the Sequel:

Want more ESC? Read the next one-shot, Lost Time (18+):

Summary: When Russell takes longer than usual on a job out of town, you realize how hard it is to live half a life with him.

▶️ Keep Reading: Lost Time

Series Masterlist

Ko-Fi Me ☕

Russell Shaw Masterlist

Main Masterlist

Russell S. Tag List:

@kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesbrainworms @foxyjwls007

@wincastifer @ades106 @iamsapphine @simpforbuckyb @roseblue373

@brianochka @branj19 @hazel-eye-coffee-shop-girl-blog @globetrotter28 @charmed-asylum

@waywardxwords @deanwinchestersgirl87 @this-is-me19 @rachiem4-blog @sweettimelady

@leigh70 @clinicallydepresso @xiphoidbones @skoveu @nyotamalfoy

@kmc1989 @jackles010378 @emily-winchester @waynes-multiverse @jessjad

@my-stories-vault @deans-spinster-witch @syrma-sensei @stellasfictionalworld @ultimatecin73

@jesllianaquilesrolonsworld @pieandmonsters @lhymer1995 @taehyungxjungkookistaekook @lovelystoriesaj

@nicksalchemy1 @spnwoman @onlyangel-444 @sexyvixen7 @illicithallways

@wolkenprinzessin007 @alwaystiredandconfused @carpenterswife @cheynovak @grilledcheeseandtomato

#wayne reads #russell shaw #russell shaw x reader #tracker

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l0v3r666 · 2 days ago

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ur jealous! ace post was so yummy!!! idk if you did this already, but could you do a jealous! idia one?

omg yesss

Jealous!Idia categorizes himself as “the most teenage girl of all time”.. even he knows how often/intensely he gets jealous, and he hates it! What if because he’s talking so much about this other guy you run into some rando’s arms??

Jealous!Idia’s had Ortho tail you at school for months now, and that’s to say nothing of the surveillance he has on you :) He swears it’s not anything creepy though!! You can definitely tell whenever he’s been on a school camera binge because he’s usually pretty stand-offish (watching you means watching you with guys, and watching you with guys freaks him out!!)

Jealous!Idia’s master plan is to plant seeds, and he is not good at it. He’s tried soooo hard to get “threatening” guys off your roster (which is a lot of them, but mostly “lawful good types” and those with high standing), but if his goal’s to separate the two of you and he’s thought about it a lot, it comes out as something like “hey.. uh I heard this guy’s a massive creep, yeah! He sits in his room all day watching footage of you, what a loser!! Haha,,,”

When you call him out Idia gets so jealous it feels like he’ll explode!! (“Ugh you wouldn’t have said that to him, wouldya?”) The best way to resolve it is talking him through your thoughts when whatever riled him up happened, but you guys really need to get better at communication :(

A cute date idea’s taking jealous!Idia out to school after hours and doing live action remakes of the school shenanigans he wants to do with you irl, or how he’s coaching you to respond to advances (both get played up to the max) “c’mon Idia, open wide! I made that guy who was following me around buy me lunch, and I’m gonna feed it to youuuu” “dude, cooties!! Should’ve pushed him into his cauldron tho, lol”

Overall he’s super jealous but wants his feelings addressed, not fluffed off. If you guys were any worse at resolving your issues somebody’s getting set on fire (clue: it’s not either of you). Maybe this can be used as an excuse for him to get out more! Who’s better at warding off sweats than your big bad watchman?? (Maybe his mecha but it’s the thought that counts)

#twst yuu #twst x reader #yuu twisted wonderland #twst #disney twst #disney twisted wonderland #twst wonderland #idia shroud #idia shroud x reader #twst idia #twisted wonderland idia #idia x reader #idia shroud x yuu

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backseatsoldier · 3 days ago

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"Broken", Not Stupid - 1

Pairing: Simon "Ghost" Riley x OC

CW: Omegaverse; "selling"/"adopting" omegas; alpha!Simon "Ghost" Riley; omega!OC

Author's Note: I have... been encouraged to write this (dammit, @lostintransist lol). It was an idea I had a while ago. We'll see where it goes, I guess?

The last person Simon expected to see that night was Henry, an accquaintance from basic training. Johnny had been raving about this omega he'd met recently when Simon heard someone call his name. So he turned to face the voice.

"I thought that was you, Riley!" Henry exclaimed with a bright smile. He was always overly cheery.

"Hey, Henry. How have-"

Henry's eyes narrowed at Simon and he tilted his head ever so slightly.

"You're still not settled down, mate? Why are you in a bar? You should be at one of the Salvation facilities!" He didn't seem to be judging Simon. In fact, he seemed more concerned than anything.

"Aye. Name's Johnny," Soap poked in the conversation finally, offering Henry his hand and a welcoming smile. Henry responded in kind. "Aren't most of the Salvation facilities... no good?"

"Most of the newer ones were hurriedly staffed - lots of omegas in need, you know - so the living conditions are... less than satisfactory. But Salvation's working hard to fix it," Henry explains with a knowing frown.

"What the hell is 'Salvation'?" Simon chimes in, completely lost.

Johnny and Henry exchange a look before Johnny sighs and looks at Simon directly.

"They... take in omegas who, for one reason or another, are deemed 'unfit'," Johnny explains hesitantly. "Everybody's a bit... on edge about them, though. They 'take in' omegas by searching for the 'unfit' ones and purchase them. Omegas aren't property. Or at least they haven't been in too long for something like this to be even remotely legal."

"It's... complicated. They house and care for all of these omegas but it just doesn't settle right with a lot of people. Which is fair, especially with the recent rushed staffing and problems that came about from such," Henry adds. "There's a facility in the next town over, actually. One of the original ones that hasn't had issues. You two should drop by there sometime. See what you think and, maybe, find a mate for doing so."

Simon and Johnny exchange a look that implies a silent conversation. Henry seems to take the hint and says his goodbyes. The rest of the night continues without talk of Salvation, it's strange ways, or it's facilities. That doesn't mean Simon can keep his mind off of any of it, though.

Maybe an 'unfit' omega is what he needs? As strange as it may sound.

Masterlist

#backseat soldier #rhi_writing_adventures #call of duty #cod #simon ghost riley #ghost cod #original character #ghost x oc #simon riley x oc #omegaverse

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jaggedamethyst · 3 days ago

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that will be enough (matt murdock x reader)

pairing: matt murdock x reader

content: reader has holiday anxiety (me lol), angst, some fluff if you squint

notes: I have missed matt honestly...but this is something short while I work on some other things. if you also have holiday anxiety...sending love. as always, I dont believe in proofreading.

full masterlist linked here

For Matt, the holidays were yet another reminder of the love he had in his heart—most of all for his dad. The love he had for you was intense, yet differed from the emotion held for his late father. While having laid the great Jack to rest, the feeling of doing so always persistent in his mind, he could forget it was there. With you, the warmth consistently filled his body. It made sense, then, that he was exceptionally in tune to your every action.

Matt dreaded his somber mood during this time of year. He quickly noticed, too, your feigned enjoyment. Whether it be a mindless repetitive tapping, or a grimace at the sight of even more holiday decor—the disdain was clear.

You’d forced yourself to accept invitations, RSVP, and show up to events this year. With each one, you were reminded of how little you actually had. Not financially, per say, but the lack of family. It was easy to say that that intimacy could be found anywhere, but people sucked. It was officially true that with your low tolerance for bullshit, you had girl bossed your way into having no friends, no family to see, and nobody to love—besides Matt. The thought made you pull away from him. The thought of placing all of this onto Matt alone—to be the only important thing in your life—was a lot. So when you found yourself at another winter soiree, Matt attached at your hip, it was easy for him to notice you weren’t okay.

He tried to talk to you a few times, you hadn’t responded. Not purposely ignoring him, he noticed, but regressing into that state you would sometimes when you were overstimulated. There was so much happening, you couldn’t process everything. The music was meant to be the obligatory party soundtrack. You let out a huff at the ambience seemingly blaring in your ears. Your head was pounding. There were too many people. Too much talking. Not enough quiet.

You felt a hand on your back. You turned to see Matt there, as always. You tried to hide the immediate response your body had to him, but you both knew that he was aware.

“You okay?” His voice the only thing making sense was common for you. He’d say the same about you. When you didn’t respond, he continued, “How are you feeling?” He rubbed a few circles into your lower back, before resting his hand on your waist.

You nodded, a hesitance there, “I’m o-okay.” You turned your head away, embarrassed by your inability to say two words without choking up.

Without a word, Matt grasped your hand and pulled you from the table you’d be standing at. You followed him, always willing to do so, you’d go wherever he went. Shut up. You quieted your own thoughts. How pathetic it was to be so incapable and reliant on a man. Your lip quivered. Matt turned to you, again, sensing it all. He moved to grab your coats—sliding on yours, then his.

“Come on.”

Your feet were moving on their own. You let the feeling of his arm pulling yours lead you into the elevator. You sniffled, still not much on your mind other than the immense failure you were.

“Hey,” Matt turned to you as the doors closed. “Whatever it is, it’ll be okay.”

You felt the tears building, the pressure burning your eyes. “It won’t.”

He was in front of you now, the twinge of salt in your tears hitting the air and his lips. Matt turned swiftly, hitting the stop button. You stumbled at the jolt and grasped for the wall for support.

“Matt! What are you doing?”

“What are you feeling?”

“Nothing, I’m good.”

He tilted his head as he did, “Lie.”

“I hate you,”

“Another lie.”

You turned to face the elevator wall. You sucked your teeth at your reflection. He was always so in tune, whether good or bad you still were not sure. It was times like this, where you let as if you were crawling in your skin, that the thought of explaining that phenomenon made you feel ill.

He interrupted the thought, “It’s okay.” Don’t get yourself worked up.

A split second later you spoke frantically, “I don’t think I can live without you.” The words blended together, the embarrassment increasing with every letter that left your mouth.

He smiled a bit, nodding, “Thats good to hear…seeing as I don’t really plan on going anywhere.”

The sound of you inhaling and exhaling slow filled the elevator cart. You looked at him, then. “What I mean…meant…is that…I am overwhelmed right now.”

An arched brow and a nod encouraged you to continue.

“I have nobody,” He opened his mouth to interrupt. You quieted him with your hand up, “…except you. Which isn’t…ideal.” There was sympathy, but silence still. He allowed you the space, here, to say everything. “Whenever we’re out…when I’m out…I feel so lonely. It’s like this time of year just heightens that feeling I have that everything should be perfect. But nothing is. Nothing can be.” You paused, “But I want it to.”

“I miss my dad.” Matt stated plainly. “And I don’t really talk to my mom.” It was your turn to nod this time. “I have a few people I care about, but sometimes it doesn’t feel like enough. Especially during Christmas.” He went to lean on the opposite elevator wall as you were standing. “I imagined myself having years way beyond what I had with my dad. In church on Christmas, or maybe watching movies with him…I didn’t get much of that.” He stabilized himself, removing his red frames with one hand. “I don’t want you to feel burdened by the expectation of what a cookie-cutter life should be. Sometimes there’s other plans for us…and honestly…if we only have each other, forever, that will be enough for me.”

You nodded aggressively, trying to make sense of that. You tried to drill the words into your mind so as to never be in this state again.

“I hate Christmas.”

Matt moved to hit the button, “Me too, babe.”

There wasn’t much said on the way to his apartment, nor when you’d both crawled into bed. After a while, Matt grabbed your palm and kissed the back of your hand. He spoke into your now intertwined fingers. “I can’t live without you either, by the way.”

“Good to know that we’re both extremely helpless individuals.”

He chuckled, “We truly belong together”

You hummed. The intense feeling hadn’t completely left you, but rather been satiated by the knowledge that despite its existence—Matt would always be there, too.

#jaggedamethyst #marvel mcu #matt murdock imagine #matt murdock x reader #matt murdock angst #matt murdock #daredevil x reader #daredevil #daredevil x you #daredevil x y/n #angst #matt murdock x oc #matt murdock imagines #marvel x reader #marvel

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velvetvexations · 2 days ago

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hello velvet this is going to be a lot abt hate crimes in abstraction (by which i mean, not about an Actual Hate Crime That Happened) but i wanted to warn u in case that was too much for comfort <3

my partner is stealth transmasc, and when you say this i think a lot of people interpret it as "Passes All The Time, Every Time". of course that's not what "stealth" means (it means low/no disclosure... it's flexible bc it's slang, but "stealth" tends to imply intention, it's something you do on purpose for safety reasons). the misconception is irritating most of the time, but i also think its actively dangerous and contributes directly to the erasure of transmasculine oppression. like, i keep seeing people refuting the statement "being stealth is a hostage situation" with "well im stealth and im not scared of being outed" as if it has anything to do with personal sense of fear. youd think that would be obvious.

we live in a blue dot in deeply red state. the difference between our city and where my partner grew up, in the surrounding area, is stark. contrary to popular belief, this doesnt make us safe. he gets threatened with violence walking home alone, he gets called slurs by people that think theyve clocked him as any number of things. you walk fast and dont look behind you when stuff like that happens. none of my friends have been able to answer me when i ask "did they follow you home? do they know where you live?" transfem friends too! it's almost like we're more alike in experiencing transphobia than we are different. who'd've thought.

im thinking abt this bc we travel via greyhound and the last station we left was very very poorly maintained - arent they all? - and in the mens restroom, every door to every stall had a broken lock. my partner joked abt taking a "risky pee" lol, and if it wasnt for where we were, who we are, and the time we are living in, maybe the little icepick of fear wouldnt have gotten stuck in me and i wouldve laughed.

the thing that irritates me abt this discourse is that this type of white knight, tme-in-bio transmasc (or associate) does not at all seem to recognize the danger inherent to being stealth, to looking sort of like a man if the ppl around you are not violent transphobes looking for a fight. they are so consumed by this idea of trans-male privilege that they dont even recognize the danger they are in. often times i think its bc of their own individual privilege. maybe they live in a more trans-friendly region than i do. maybe theyve never met a transphobe, never been called slurs from a speeding car that almost hit you, maybe theyve never been loudly transvestigated in public. i really, sincerely hope they never do. but they take that and apply it to other transmascs far less fortunate and dont even recognize the erasure they are contributing to. bc everyone knows only transfems get hate crimed! who else ever would?

they think that no one has ever clocked them (how? are you a mindreader?), they think that if they look enough like a cis man, "other" cis men wont hurt them, cis women wont be Able to hurt them. they think thats true of every transmasc thats been a year+ on t. it's juvenile. it's icarian. it's misogyny dressed up as solidarity and chivalry. and it's not even fucking true. the vast majority of Any trans person who is trans in Any number of ways is going to face fear and anxiety and the potential for danger in a bathroom.

thank you for sharing anon <3

#I'll tag this for you #transandrophobia #discourse

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the-far-bright-center · 3 hours ago

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I understand your perspective, and I agree that the post-RotJ EU doesn’t really succeed as a worthy continuation of the story (mainly because it was always trying to continue a story that was still itself only half-completed —see the discussion below re: the fact that the Prequels were what truly completed the Original Trilogy). Personally, I was never into the EU books set after RotJ for this very reason. No offense to those who enjoy the Thrawn series, but the whole Thrawn thing is my personal nemesis. Not in a 'villain you love to hate way', but in a 'I can't stand the entire concept and I've always thought he was totally out of place and felt more like a Star Trek character than a Star Wars villain' way. 😅

So, with the exception of the Original Trilogy novelisations, I've never had any interest in the OT-era or post-RotJ Expanded Universe material. The only EU I've had time for has been the novels, comics, etc that were released concurrently with the Prequels and were set during the Prequels/Clone Wars time period. There are some rare exceptions, but none of the above that you describe is my 'thing' and I've avoided most of it like the plague; therefore, I fully admit that a lot of discussion of the specific details of the EU is out of my wheelhouse.

I can therefore only offer my personal perspective here, and I understand that other people's experiences in the Star Wars fandom may differ. That being said, I am not of the opinion that the current fandom view of the Skywalker saga being a tragedy is to blame on the Expanded Universe. And even in previous times, I remain unconvinced that it had such a widespread negative impact on people’s views of the saga. I grew up watching the Original Trilogy in the era before the release of the Prequels, and no one I knew back then ever expressed the sentiment that 'oh, Star Wars is so sad' or 'Star Wars is such a tragic tale'. At most, if anyone mentioned the EU, it was simply to say 'oh that part was really dumb, I don't see that as canon', lol. Even people I knew who were big fans of the EU never expressed the view that it somehow overrode the heroism, overall hopeful, or redemptive message of the Original Trilogy. Mainly because 1) the EU was not that well known outside of nerdy circles, and 2) even when it was known, it was simply not viewed as canon.

To address the first point: in the pre-Disney era, the Expanded Universe was hardly ubiquitous, it was still rather niche. People who were uber fans and read all of it might not relate to this, but there were plenty of die-hard, lifelong Star Wars fans (such as myself) who never engaged with that material. We still had all the merch, action figures, did cosplay, knew all the info we could about the films, we just stuck to the Original Trilogy material (prior to the release of the Prequels). I'm not saying the EU wasn't popular in its own way— it was. There were entire sections of bookstores devoted to it, and I distinctly remember having friends who were super into it. However, this was something only 'Star Wars nerds' were into, and even then only a particular subset of Star Wars nerds. Even at its height, the EU was not mainstream, nor was it widely known amongst general audiences, which is in direct contrast to the current Disney material, which is more widely available and more well-known for the simple fact that it's largely live-action stuff and available either in cinemas or via streaming.

Secondly, the Expanded Universe, regardless of how well-known it might have been, was never actually CANON on the same level as the PT x OT films. Again, that is in direct contrast with the current Disney material, which is currently claiming to be 100% canon. The EU existed as 'tiered canon', so that the Lucas SW films were the main canon at the highest level, then followed by the animated tv series, then the books, comics, etc. So even if the concepts and characters from the EU had entered into the mindset of certain fans, this was not viewed as 100% set-in-stone, unassailable canon. Especialy not the stuff that was released prior to the Prequels, so much of which was rather, uh, 'out there', more sci-fi than space opera, and also was often self-contradictory. And importantly, a lot of which ended up being joss'd BY the release of the Prequels.

As for the pre-canon (pre-Prequels era) Expanded Universe.... I will just say that, in my opinion, any seemingly perpetual Jedi vs. Sith war that is supposed to have happened prior to the six Lucas films doesn't negate the PT x OT saga having an uplifting outcome. In fact, the longevity of the conflict only makes the fact that Anakin returns to his True Self and fulfills the Chosen One prophecy all the more meaningful. He ends the millennia-long struggle and brings Balance to the Force.

Now, it's true that Lucas had his own ideas for a sequel at one stage, but logistical issues (and difficulty getting the original cast back at the time) prevented him from seriously pursuing this. So, starting in the early 1990s, he focused on creating the Prequels, with the intended purpose of answering many of the questions left lingering by OT (such as, how did Anakin fall to the Dark Side? Who was Luke and Leia's mother? etc), and to explore Anakin/Vader's backstory and cement his status as a tragic hero. And imo, in doing so, Lucas seems to have understood that, more than any sequel, this backstory was the truly compelling 'continuation' to the OT's storyline. Indeed, he has repeatedly stated that the Prequels completed the saga:

"The original idea for Star Wars was one movie about the tragedy of Darth Vader. But as the story grew, it ended up being three movies and the backstory was never explained. I decided it would be important to finish it off and do the backstory because things that I thought would be self-evident about the story, the audience didn't get. Over the 10 years after Return of the Jedi, I realized people misunderstood a lot—such as where Anakin came from. So it was a way of finishing the whole thing off." —George Lucas (from 'All films are personal: an oral history of The Phantom Menace')

He's also made it clear that the PT x OT saga is supposed to be viewed as one, single story (Episodes I through VI), with the resolution of said story being the uplifting happy ending of RotJ:

"You have got to remember that this is one movie, and it’s meant to be seen I through VI. So, I think when you watch the actual movie in order, the story will become very clear: that Anakin is the Chosen One. And even when Anakin turns into Darth Vader, he is still the Chosen One." —George Lucas

and finally, he's also stated that the saga is ultimately Anakin's story:

"It’s a certain story about Anakin Skywalker and once Anakin Skywalker dies, that’s...the end of the story." —George Lucas

My purpose in bringing up these quotes is simply to emphasise that the saga as created by Lucas can and does stand on its own as a single, completed story. And a story that is very clearly a tragedy in the first act, and a hero's journey in the second. Together the two form a 'divine comedy of redemption'. Something with tragic elements, but which ultimately transcends that tragedy.

There was a brief golden period in time (approximately from the late 2000s to the early 2010s) when people began to analyse the PT x OT saga on its own terms. And even began to appreciate it for what it was. See the fandom’s increased interest in the 'Ring Theory' concept, as well as the rise in popularity of the Clone Wars tv series at this time. There was also some academic level analysis of the PT x OT saga going on, perhaps most famously seen in art critic Camille Paglia's appreciation of the Mustafar duel and her perspective on RotS as ‘the greatest artistic masterpiece’ of our time.

This growing fandom appreciation and critical analysis of the saga as a single completed story was sadly cut short by the Disney-era.

Obviously, this is all just my own perspective. However, I feel quite strongly that the EU, whatever its issues, is not the source of the current fandom’s misunderstanding of the nature of the Skywalker Saga. The only thing that is single-handedly to blame for this is the Disney Sequel Trilogy, and specifically the very first film, The Force Awakens.

Why do I say this? Because the entire premise of TFA was that nothing that happened in the entire six-film saga mattered or had any lasting positive impact on the galaxy. It negated the entirety of Anakin's arc and erased the positive impact of Luke's hero's journey. And it was in the aftermath of that horrendous film and the subsequent two sequel films that I observed a distinct shift in the overall fandom attitude towards the Skywalker saga. I began to see people here on tumblr lamenting 'why is Star Wars so sad!' and other similar sentiments, whereas I had never before seen this. Even previously with the existence of the Prequels themselves, no one had claimed that all of Star Wars was now tragic. Anakin/Vader had been reframed into a tragic hero, it's true, but nothing about the Prequels had negated Luke's Hero's Journey. If anything, it had made it shine all the more brightly.

Likewise, whatever silly stuff was supposed to have occured in the Expanded Universe, being primarily relegated to books, comics, and games, it had never actually had the prominence or 'household recognition' that the current Disney material has had. Add to this the fact that the EU was never intended to be on the same 'tier' of canon as the PT x OT films, and thus never had the same level of destructive power that the live-action films and tv series series by Disney have. The problem with the Disney material being that the very first live-action entry into it, The Force Awakens, had a premise so destructive and disrespectful to the entire Lucas saga that said saga might as well have not even happened. Anakin's entire arc might as well have not even occurred, it has so little lasting positive impact in the Disney version of events.

Whatever the EU did or did not do with this same subject matter isn't the point, the point is that Disney put their destructiveness on the big-screen for mainstream audiences to see, and that's why it has permeated the fandom culture and mindset much more thoroughly than the EU material ever did.

Star Wars isn't a tragedy. Only the Prequels are. Disney (and most of tumblr it seems) may think all of Star Wars is supposed percieved in a sad or tragic manner, but it's not. Return of the Jedi is triumphant, redemptive, and uplifiting. It's the fairytale ending that bookends the greek tragedy. The combination of fall and then redemption of the human soul is the entire point.

Anakin is a tragic character, but the Skywalker saga itself NOT meant to be tragic, neither in its tone nor its actual outcome.

#anti Disney #anti sequels #anti TFA #pro Lucas saga #the real Skywalker saga #I reserve my hate for the Disney Sequels because they’re the ones that are claiming to be canon on the same level as the Lucas films #i don't have energy to hate on the entire EU because honestly the EU never tried to force itself down my throat #only Disney is trying to do that

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midnightbears · 2 days ago

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✿ duskbound, afterlight.

#STARRING: cybertronian femme reader & other characters.

#TAGS: none i can think about???? megatronus appearance lol

#NOTES: sorry i forgot i also had this fic on tumblr lol it's a lot more updated on ao3 / thank you to @juicygf for her OC, Echo! I hope I have done her justice for her small appearance in the chap! Reminder that if you would like your oc to appear on the story, feel free to leave a comment or send me a message!

Bluey took nearly three days to half-forgive you for that stunt you pulled with the Overseers.

It took even longer for the controversy to gradually die out in the simmering city of Kaon, the audacious scandal of the self-named gladiator, aka you, barraging through the underbelly of the city. The uproar sent tremors through the working bots of the lowest levels, stirring them from their routines and igniting a firestorm of controversy that, frankly, lasted longer than you would have liked.

If the rumors circulating among your comrades held any truth, your actions had caused quite the commotion outside of Kaon.

Your exploits spread like wildfire among the segment of the population that avidly followed the entertainment and broadcasts surrounding the gladiatorial fights. The rebroadcast of your match took the Grid by storm, particularly the 15-second clip that captured the explicit moment when you simply lost it at the disrespect you were facing. The sheer force of your actions made you a topic of fascination and debate throughout the community.

You wondered if your old comrades had heard of this.

Did the miners at Nuna 5PY recall the fierce figure that had defiantly hurled that shard of plating at the crime bosses who loomed over the brutal gladiatorial matches of Kaon? Did they see in her the image of the introverted, helpless-looking worker from the H branch, the one who had, through no fault of her own, been thrust into the role of living entertainment in a world that thrived on suffering?

What might H–01 think of you now? And what of Starlight—had she been alive, would her clear gaze still recognize the essence of who you were? Would they see remnants of your former self entombed beneath the layers of the lessons you had learned, or would they only see the ruthless warrior you were slowly becoming?

What would you even say to them? I swear, it wasn’t me. The Pits changed me. I had to do it. They made me. I made myself do it. To survive. To stay alive. To avenge you. To avenge all of us. Because I was scared. Because I was enraged. Because I did not want to die. Because I lost everything. Because everything was at stake. Because I had nothing to lose. Because I didn’t know what else to do. Because I wanted to prove I could. Because I hated them. Because I hated myself. Because it felt right. Because it felt wrong. Because I couldn’t stop. Because stopping would mean admitting it. Admitting that maybe this is who I always was. Or maybe this is who they made me. Maybe it’s who I had to become. Maybe it’s who I need to be. Maybe it’s too late to change. Maybe I don’t want to.

Between these mumbling thoughts, it became near impossible to discern which were the veracious whispers of your spark and which were the treacherous insinuations of your mind. It was so strange. It was born out of the silence of injustice, the moment you felt the gaping absence of fairness. It changed you, redesigned your beliefs, and imparted knowledge as heavy as stone.

Would they understand if you told them how the days in the dark bled together, how the screams of others became the sounds of the wins? Would they see the trembling servos that first held the blade and understand how they became steady with practice, helmed by obligation?

Or would they turn from you, repulsed by the monster you’d become? You wondered if they would hear the echoes of your defiance in the acts you committed or only see the emptiness you carried now. When you finally stood before them—whether in this life or the next—what could you say that would bridge the chasm of who you had been and who you were now?

Could you ever explain that it was a single moment that changed you? Would that be enough? Would you be enough?

Were you really the same femme you once had been? Or were you merely donning her old protoform?

You paid the price to satiate your spite. You fed your anger; you willingly did it.

What did that say about you?

As everything does, the rumors and whispers faded away. The result was a welcome reprieve; no longer did Bluey or your newfound band of companions feel the need to shadow your every move, their initial worry easing as the crowds of enthusiastic gladiators retreated into the background, no longer clamoring to voice their admiration or to share their astonishment at your audacity.

What bothered you most was that you had not been punished.

You mulled over it as you meticulously honed the edges of various weapons, the lilting scrape of metal against metal breaking the otherwise stillness of the room. With no matches slated for the day, Bluey practically dragged you to the armory you both frequented for peace and quiet.

You were still waiting for one of your comrades to appear, but in order to pass the time, you had come up with the lame excuse of wanting to sharpen some blades in order to save yourself from the imminent conversation Bluey wanted to have.

Inside the pits, the armories were considered a place to reprieve, its cavernous walls holding so many forms of violence in different shapes, its tools long since outmoded or discarded, awaiting purpose or oblivion. Away from everything else, among the scuffed blades and tarnished plating, you could think— or at least attempt to.

Bluey was perched on the edge of a disused weapons rack, his frame slouched but optics trained on you with the sharp attentiveness that he hid so well, so carefully. He knew what you were doing, and yet he was entertaining your wishes. Although, only for a short time.

“Shanix for your thoughts,” Bluey’s voice cut through the quiet. His tone lacked its usual romp and jest, replaced with something softer, something more sympathetic. “Seriously, are you still thinking about it?”

You didn’t look up. “Shouldn’t I be? Nobody gets away with what I did. Not really.”

“Not many are crazy enough to do what you did,” Bluey countered, folding his arms as his gaze shifted to the weapons etched into the wall behind you.

You scoffed. “I don’t know what you expect me to do. Forget about it? Pretend it didn’t happen?”

“You could start by not acting like you’re waiting for a firing squad. You made your point. So, what? You want punishment? You want them to come down here, drag you out, and make an example of you?” His voice sharpened, his optics flickering with barely restrained frustration. “Because if you do, you’re not just slagging yourself—you’re slagging me and everyone else who’s been backing your sorry aft. No one who saw that clip’s going to forget it anytime soon, so maybe you ought to let it go.”

His words stung in a way they weren’t meant to. Let it go. As if it was that simple. As if the memory of the Overseers’ dismissive sneers and the crash of energon cubes toppling in front of their lofty perch didn’t appear behind your optics every time you closed them. The image still flashed in your mind, unbidden—the way their optics finally snapped to you, the way the entire pit seemed to hold its collective breath as you turned and walked out like you owned it.

“It wasn’t about making a point,” you muttered, more to yourself than to him.

Bluey didn’t miss a beat. “Oh no, throwing a hunk of scrap at their fancy energon stash was just a friendly little gesture, then? Sure fooled me.”

This time, you did look up, fixing him with a glare. “They weren’t even watching, Bluey. I could’ve been anybot out there, and it wouldn’t have mattered to them. All we are to them is noise. Static.”

“Static doesn’t throw tantrums,” he shot back. “Static doesn’t stop the show cold and have bots talking about it across half the Grid. You’re not static, and you’re slagging well smart enough to know it.”

The truth in his words twisted uncomfortably in your chassis, and you hated that he was right. You hated that, in the moment, you hadn’t thought past your own anger to the weight of what it meant to act on it. To take what you were feeling and throw it—literally—in their faces. You’d discarded the one thing Bluey had drilled into you and now you were paying the price. You opened your mouth to argue, but he held up a servo to stop you.

“You’re scared,” he said after a long pause, “Not of what you did, but what it means.”

With a solemn swallow, you darted your helm away. Just before the mech could speak, he was so close to doing so as his dermas were parted, the doors to the armory bolted open, letting him see the hallway for a second. He saw a pair of sentry guards passing by the doors, but his attention was only caught a split second by them before he redirected his optics to the reason the entrance had opened in the first place.

With airy steps, a femme made her way toward the two of you. To your surprise, behind her followed Megatronus.

Bluey bristled, leaning his servo on the table. “I thought we agreed on a private hangout, Echo.”

The femme looked at him with a raised optic ridge, her expression as unimpressed as ever.

“We did,” Echo said flatly, her voice cool and laced with that signature sarcasm that always seemed to cut right to the point. “Then he decided to invite himself along.”

She thumbed over her shoulder at Megatronus's imposing figure. The towering gladiator's sheer presence filled the armory, his optics sweeping over the room like he was already cataloging the weapons in sight.

The room seemed smaller now, the oppressive silence filling every corner as Megatronus stepped further inside. The dim light and shadows seemed to bend and curl around him, his presence pulling the atmosphere taut like a wire about to snap. Even among gladiators, he was larger than life—a figure carved out of myths and whispered stories that no one dared to speak aloud. His armor gleamed faintly, the darkened metal catching just enough light to highlight the scars etched into its surface, each one a mark of battles fought, victories earned, and enemies crushed.

Bluey shifted uneasily at your side, his servo tightening around the edge of the table. His usually easygoing demeanor—the casual grins, the sly remarks—was nowhere to be found. Now, his optics flickered with tension, darting toward you for something unspoken, something grounding.

"Didn’t realize we were hosting a fragging summit," he spoke directly in Megatronus’s direction, the strain in his voice betraying his attempt at humor. His words cut through the silence with ease, but they did little to lighten the weight in the room.

If anything, the tension seemed to thicken, settling heavily over you. Your spark pulsed harder in your chest as Megatronus’s optics locked onto you, pinning you in place with their suffocating intensity. His gaze wasn’t just commanding—it was predatory, cold, and unrelenting. There was no pretense of curiosity, no veneer of civility. He was here for a purpose, and whatever it was, it loomed larger than any excuse you could muster.

But you’d be damned if you let him intimidate you now. You stepped forward, mindful of Bluey’s optics trailing your every move. “What do you want?”

“You’ve made an impression,” Megatronus said at last. His voice was low, a resonant growl that seemed to reverberate through the walls and into your plating.

The urge to meet his intensity burned within you, but you forced it down, keeping your tone even. You knew better than to show weakness, yet every instinct screamed at you to tread carefully.

“That depends on what kind of impression you mean,” you replied, your voice steady despite the storm raging in your processor.

For a brief moment, the corner of Megatronus’s mouth twitched upward—not quite a smile, but enough to send a shiver down your spinal strut. “One worth investigating.”

The silence that followed was oppressive, each second stretching longer than the last. Bluey shot you another sharp glance, his optics narrowing as though willing you to say or do something that wouldn’t get you both scrapped.

You swallowed hard, drawing in a shallow intake. “I asked you, what do you want?”

Megatronus stepped closer, his imposing frame towering over you. His optics narrowed slightly, studying you with an intensity that felt almost surgical. When he finally spoke, his voice was a deep, measured rumble. “An answer. Not to what you did, but to why you did it.”

His words hung in the air like a blade suspended over your helm, waiting to drop. The temperature in the room seemed to plummet as his question bore down on you, the walls closing in with the weight of every optic fixed on you.

Beside you, Bluey tensed, his servo twitching just slightly toward the blade you’d been sharpening earlier. The movement was subtle, but you caught it, your spark stuttering at the thought of what might happen if things escalated.

Lying would have been easy. You could’ve spun a story, fabricated some excuse that might’ve deflected his scrutiny. But Megatronus wasn’t the kind of mech to accept falsehoods, and you weren’t sure you wanted to risk what might happen if he saw through one. Whatever answer you gave, it had to be the truth—or at least a truth that he’d believe.

You forced yourself to meet his gaze, “Because someone needed to remind them we’re more than their entertainment.”

For a moment, Megatronus said nothing, his optics boring into yours as if measuring the strength of your resolve. Behind you, Echo seemed to pause, her posture stiffening ever so slightly as she watched the scene unfold.

Finally, Megatronus nodded.

“Good,” he said simply, his tone as sharp as it was final. “Then you’re exactly the kind of bot we’ve been looking for.”

“Looking for?” you echoed, tilting your helm slightly as you folded your arms. There was a spark of defiance in your optics, one that you knew full well Megatronus wouldn’t miss. “You’ll have to forgive me if I don’t jump at the chance to be part of whatever ominous plot you’re about to drop on us.”

Megatronus’s optics gleamed faintly, his expression unreadable, though the faintest edge of amusement tugged at the corner of his lip component.

“I expected hesitation,” he said, his tone bearing a poundage that hinted he was more intrigued by your reaction than insulted. “But not doubt. I thought you had conviction.”

Your spark pulsed harder, though you refused to let it show. “Conviction isn’t the same as blind faith. If you want me involved, try using actual words instead of ominous statements.”

Bluey let out a soft, barely audible whistle. “She’s going to regret saying that…”

Echo snorted from her perch near him, lowering her voice. “Nah, I’m betting she survives. Megatronus doesn’t usually scrap his recruits on the first meeting. Makes for bad morale.”

The towering mech’s optics flicked briefly toward her, a fleeting but sharp glance that silenced her with a single raised optic ridge.

“Enough,” he said, his tone dismissive, though not unkind. His focus returned to you, his looming presence swallowing the space between you in a way that felt both suffocating and oddly exhilarating.

“What we’re planning isn’t for the faint of spark,” he continued, his voice dropping to a low rumble that seemed to resonate through your frame. “It’s for those who are willing to challenge the rot festering in Kaon. To remind the so-called crime lords that their reign is built on the backs of those they consider expendable.”

Your optics narrowed slightly as you took in his words. He wasn’t just talking about rebellion—this was something more calculated, something bigger. “And you think I’m the right kind of bot for this... crusade?”

Megatronus’s voice dropped, the intensity palpable. “You’re more than the right kind of bot. You’re the perfect one! You’ve got fire, strategy, and the kind of grit that’ll get us past the ones who think they’re untouchable.”

“And if I say no?” you challenged, raising an optic ridge, feeling a defiant spark of anger flare within you. “What happens then?”

“Then you’ll have made a mistake,” Megatronus replied, his tone cold and unyielding. “One you won’t get a chance to correct.”

You held his gaze, unwilling to break. “Is that a threat?”

“Call it what you will,” he said. “But you’ll find that there's no backing out when you’re involved in this. Not if you value your spark.”

The challenge tainting his words was clear. You tilted your helm and uncrossed your arms, the weight of his scrutiny sinking deep. “And if I decide to play along?”

Megatronus’s optics flickered, something unreadable flashing in their depths. “Then you’ll realize just how much you’re capable of. Soon enough.”

“Is that supposed to be comforting?” you asked.

His optics softened slightly, but only for a split second. “It should be. Because I wouldn’t have wasted my time if I didn’t think you had what it takes.”

You scoffed, taking a step back, feeling the pressure of his presence like a vice. “So, you’re just going to throw me into your plans and hope I don’t get caught in the gears, huh?”

Megatronus took a step closer, his frame almost imposing enough to block out the dim light. “You’re already caught, whether you realize it or not. Follow my lead, and you’ll find out soon enough.”

But you weren’t done yet. “What if I don’t follow your lead? What if I do things my way?”

For a split second, Megatronus seemed to consider it, his optics glinting with something dangerous. Then, his dermas curled into a smile, though it was anything but warm. He crossed his arms, extending a servo out. “Then we’ll find out who’s better at this game.”

The words dangled between you like a challenge, a threat, and an invitation all at once. You weren’t sure which you disliked more.

“What game?”

“You will realize,” he said, his voice dropping to an almost intimate whisper. “Soon enough.”

Your optics narrowed further. “That’s not an answer.”

“It’s the only one you’ll get,” he replied smoothly, a faint flicker of something—amusement, perhaps?—dancing behind his optics. “For now.”

You didn’t respond. Didn’t need to.

With one last lingering look, Megatronus turned to leave, his massive frame moving with the grace of a predator—always hunting, always calculating. The sound of his heavy steps echoed as the doors to the armory hissed shut behind him, leaving the three of you alone.

Echo’s optics lingered on the door for a moment longer before she turned to you, a crooked frown tugging at the corner of her dermas. "Well, that was dramatic. I’ve seen more convincing threats from half-welded scrap drones."

Bluey snorted at that, the sound breaking some of the tension in the room. "Yeah, well, remind me to avoid half-welded scrap drones if they’re anything like him."

You didn’t smile. You didn’t even laugh. It wasn’t funny.

Instead, you simply gazed at the vacant spot where Megatronus had been, sensing the heaviness of his challenge weighing down on you like a persistent pain and pulling you down with it, sinking into your tanks. He had presented you with a decision, but that wasn’t what troubled you the most. It was the realization that, deep inside, you understood it was an offer that would change everything.

There would be no going back from this.

No easy way to evade it.

You didn’t look at your friends at first. You just reached for your blade, the cool metal a familiar weight in your servo. You ran your digits over the edge, feeling the sharpness, the perfection of its form.

You would have to make your choice soon, and there would be no going back after it.

In that moment, you realized something: You hadn’t just been fighting for survival. You’d been fighting for control. And whatever happened next, you weren’t going to let anyone take that from you.

Not Bullway. Not any other overseer. Not any gladiator who thought they could taint you. Not Megatronus. Not anybot else.

#midnightbears #transformers #transformers one #transformers x reader #transformers x you #megatron #megatron x you #megatron x reader #megatronus x reader #cybertronian reader #megatronus #orion pax #elita one #d 16 x reader #d 16 x you #optimus prime #tf

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joudama · 2 days ago

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And that’s that for Veilguard. Got all the achievements and got the four main possible endings (didn’t bother with the bad ending where you do none of the side quests, everyone dies, and you end up trapped in the Fade forever with Solas).

My four Rooks:

Female Shadow Dragon elf mage - saved Minrathous - romanced Harding - punched Solas in the face

Female Antivan Crow human rogue - saved Treviso - romanced Lucanis - tricked Solas into using the fake dagger

Male Grey Warden dwarf warrior (this was originally going be a Qunari, but I couldn’t get over the yassified look of all the qunari I tried to make and I gave up) - saved Treviso - romanced Davrin (meant to romance Bellara and lol welp, that didn’t happen) - big softie who sent Solas into the Fade with the Inquisitor

Male Mourn Watch elf mage - saved Minrathous - romanced Emmrich (meant to romance Bellara or Neve and lol welp, that didn’t happen) - told the Inquisitor she could do better and made Solas go off into the Fade alone.

My Mourn Watch one is probably going to be my “canon” run, since I liked it the best (that’s not saying much) of my runs. I went with a life leeching run for him, including using the unique items that made health potions/companion heals not work, and beefed up leeching. Literally the only time I died was when my controller ran out of juice in the middle of a dragon fight. The Elgar’nan fight was over so fast I was like, “Wait, is that it?” It was like the curb stomp fight in Inquisition with Corypheus before they let you have enemies scale up with you.

And now for my thoughts. And oh boy, do I have a lot of them. Hoo.

I have…so many issues with this game. It is a very good…whatever the gaming equivalent of a popcorn flick is. It’s great if you go in with your brain turned off and enjoy all the shiny. But that’s not what I want in a Dragon Age game. I’ve been replaying DA2 - the game that DATV is basically trying to channel - while playing these, and the difference in writing quality and intricacy of plot and world building could not be more sharp. The first time I played DATV, I thought it was fine. Almost aggressively fine. I had fun with streaming the game and seeing where it went. I loved the reveals with the wolf statues. I had some major issues with the writing being as subtle as a brick to the face at times (more on my thoughts about the dialogue LATER, because oh boy), but it was serviceable. And I genuinely thought Veilguard had been robbed by not being nominated for Art Direction at the Game Awards, because say what you will, the areas are fucking gorgeous. But, even then, I was like, “Yeah, this would not have deserved a GOTY nomination had it gotten one,” and placed it at a 7 or 8 out of 10. A good enough, enjoyable game that ran well, but was not by any means GOTY material.

Then I made the mistake of playing it again, and the cracks began to show. By the time I hit the middle of Act 2 of my third run, I was just so done. I hated every time certain companions had anything to say at all. I hated that you couldn’t call people out for being a jerk but had to be the supportive nursery school teacher at all times to them. And for the first time playing any BioWare game at all, I found myself wishing I could either not recruit certain people or kick them out of camp. The cracks were beyond showing at that point, and I no longer thought the writing was even “serviceable.” Things that hadn’t seemed so bad on that first popcorn flick run suddenly became a problem - not being able to actually talk to your companions to get to know them went from “it feels more natural to have them saying this stuff while out in the field” to “what is even the point of going around the Lighthouse if all it gets me is a line spoken at me or overhearing bits of them having ACTUAL conversations?” It legitimately hurt replayability. I missed being able to actually talk to my companions, and I realized I cared more about Manfred and Assan than most of my companions because Manfred and Assan actually seemed to like interacting with me. I will take Manfred’s rock-paper-scissors game over a “hey Rook” and dead-eyed stare.

By the time I hit late act 2, I couldn’t wait for it to be over so I could delete the damn game off my hard drive…only for the last achievement I had yet to get to NOT pop when I finished the game. I looked it up and discovered it wasn’t set by triggering a certain end state, but was tied to picking some flowers in Act 2, and wanted to cry. I don’t usually 100% games, especially if I feel like some of the achievements are bullshit I don’t want to do (‘sup, MELE needing you to do some Armax Arena Spectre-level fight - I would sooner chew off my own arm than do that, as anyone who watched me stream Veilguard would have guessed watching me kvetching the whole time I was doing that Hall of Valor shit), but that was just frustrating. I decided to try to get it on a fresh run as a Mourn Watcher, since I’d heard that was one of the surprisingly good faction backgrounds, and that was a good choice. Mourn Watch became my favorite faction, when it had been Shadow Dragons until then. It added so much to a lot more conversations than I would have thought, and made it so I actually enjoyed the sadly few times you get to actually have conversations instead of eavesdropping/being talked at. I’m glad I decided to slog through one more time for that achievement, because if I’d ended it on that third run, I know I would have never played it again. It turned back into a popcorn movie again, aided by me knowing when to put on a YouTube video and watch or scroll through Bluesky instead of listening to a certain character be the fucking worst. If I ever play again, it’ll be a Mourn Watcher (I already know the Veil Jumpers and Lords of Fortune are considered, shall we say, lackluster background factions.)

Which brings me to some of the big, fundamental problems this game had.

This is not a CRPG. It’s just not. It’s an action RPG now, with the focus on “action” not ��RPG.” It’s part of the whole Mass Effect-ification of Dragon Age. And I say this as a huge Mass Effect fan:

Dragon Age should not be like Mass Effect. And vice versa.

When Andromeda came out, they decided to ditch the Paragon/Renegade system, and instead went for DAI-style emotion-based options. Which seems great! More speech choices to make a more nuanced Ryder instead of picking up or down! Great! Only no! A lot of people hated it because it didn’t feel like Mass Effect. They had taken away something that had seemed like a major part of how you roll played in the series, and replaced it something very different. It was the first time they took a mechanic from one game and ported it into another, and it didn’t really go over well with a lot of ME fans because it didn’t feel like a Mass Effect mechanic.

And now with Veilguard, they basically made a Mass Effect game with a Dragon Age skin on it. And it just doesn’t work.

Combat: They copied the combat wheel from Mass Effect, but did it kind of badly. I honestly hated it because I tried to play like I do in Mass Effect - pull it up, use it to look around and get a handle on my environment, then pick an enemy or a safe space to bolt to - and the camera snapping the enemies meant I couldn’t. It drove me crazy because it was like the Mass Effect wheel but fundamentally not, and the camera drove me mad because I’d pull it up trying to find where the nearest blight boil was, and it would snap on enemies instead of just letting me look. It’s like they wanted to get rid of every little bit of tactical game play and replace with smashy smashy bang bang instead. Don’t think, don’t plan, just attack…which fits in with the popcorn flick-ness of DATV. Don’t think, just do. Turn your brain off and look at the particle effects.

Another Mass Effect-ification with regards to combat is dropping from taking 3 companions to 2. Which you need to do to have that Mass Effect style combat wheel, and the Mass Effect 3/Andromeda style primer/detonation style interaction of companion powers. Detonations were very satisfying, but not very Dragon Age-y, and requires throwing out some of that DA lore to make it work, because now everyone uses magic-based abilities even if they aren’t mages. Assan attacks deal fire damage. You can spec a warrior who calls up a giant lightning hammer to twirl around, and…how? That’s not enchantment, that’s plain ol’ magic, and how?! Warriors didn’t deal magic-based attacks unless their weapons where enchanted before, but now, everyone is just tossing magic attacks at everything. That’s not how the world of Thedas has worked until now, but you can’t have those flashy explosions or particle effects otherwise, so shhh, turn off your brain and don’t think, shhh. Look at the screen light up and the pretty lights. It worked in Mass Effect because they had already set up tech and biotic attacks, but there’s no way to make hitting something hard with a sword cause it to blow up and damage all the other baddies around them, so now everyone has magic. OK.

As an aside, it was also a really bad idea of get rid of how aggro worked. Dragon Age had always worked by warriors drawing aggro because they had the heavier armor (or could use taunt on enemies targeting squishy mages or rogues). Rogues had lower aggro because they had lighter armor, and could sneak. Mages had even lower aggro because they had the lightest armor and were distance fighters. DATV threw that out the window, and Rook draws all aggro because they are the only ones with a health bar. Your squad is immortal in fights, which means there’s no reason for enemies to ever target them. Which means god help you early game when mages and rogues have no real skills yet. Enjoy dodging while your companions hit the enemies with what seems like attacks as powerful as spitballs. It also means that there are times what the game tells you and the fight you just did are completely at odds. Remember that fight with the Wrath of the Stone in Harding’s companion quest? That thing is on your ass the entire time, but then at the end of it, Rook says something along the lines of “It really hates Harding,” and…are you gaslighting me, game? That thing ignored Harding the whole damn time in favor of trying to stomp me like a cockroach. Harding did not exist to it during my fight. It had a hate boner for Rook and Rook alone, no matter what the game tried to insist on after.

Now, imagine how that would have felt if Harding actually could have been killed/knocked out during the fight, and it was only going after her? What if you couldn’t damage it if it took her down, so you had to make sure she stayed alive? Imagine how different that fight would have hit then? But no, that would mean the devs have to think about how to rez characters and how healing would work, and would mean players have to be tactical, and shh, no, no more of that, no thinking, just dodge and hit things and look at the particle effects. Shh. Have some more popcorn.

Story: DATV wants so badly to be ME2. It wants to recall the companion loyalty quests and the big suicide mission where you have to have everyone ready or you’ll all die. But you can’t copy what you did before and get the same flowers and results. You just can’t. You can try, and all you’ll get is diminishing returns. They tried to do the big cosmic horror of ME1, complete with a Virmire choice, then have the big final stakes of ME2, and no. You can’t follow a template and get the same greatness. That’s not how it works.

And speaking of following templates…

Romances: The romances in Veilguard are just dismal. And I think it’s because they decided to follow the Mass Effect pacing formula instead of the Dragon Age one.

Dragon Age: You start flirting in Act 1. You usually flirt with everyone because hey, why not? Some time in Act 2, things start getting serious, and you have to settle on who you want to go for. Things start to get serious, you get together, and then you get happy fun adult time with your new LI. You get the option to break it off or commit to them fully. By Act 3, you’re in a committed relationship. People comment about it. You can go to them and spend time with them - nothing major, maybe just a kiss. There might also be a special scene that’s just with them and unique to the romance. And by the end, after the lengthy amount of time that’s passed, you are Together.

Mass Effect: You start flirting in Act 1. You usually flirt with everyone because hey, why not? In Act 2, you keep on flirting with everyone. By the end, you might have to make a choice if you’re flirting too hard with everyone and the two LI options tell you to pick someone already, but you’re just picking who you’re interested in. Early in Act 3, there might be an almost kiss, but it’s mostly just the occasional anticipation of eventually boning and nothing really happens until right before the final big fight, when your LI shows up to your cabin for “oh shit, we might die in a few hours, so let’s go out with a high note” happy fun adult time. The only time you get that “committed relationship” vibes is in ME3 if you’re romanced the same character for at least one other game, and you choose to continue the relationship.

The Mass Effect pacing works in the Mass Effect trilogy because each game is only 20-40 hours long. Veilguard is a good 80 hours long. That means using that same amount of romance you use in ME is going to mean you’ve got too little butter to spread over too much bread. It’s why you have a good start for the romances in Act 1, then act 2 is a such a desert of nothing after you commit that I genuinely wondered if I’d hit the wrong option at said no at several points during the very long third act. There’s not just enough content for that long of an Act 2. Near the end everyone starts commenting on you being with them, but it’s not actually happening in the game. There’s no flirting, there are no extra scenes, and even the scene when you commit to them is based on a scene that happens with everyone, just with a romance option tacked on. The only person (of the ones I romanced, so I can’t speak to the others) who really get unique scenes was Emmerich. He actually takes you out on a unique date. It helped a lot to make Emmerich’s romance feel more fleshed out than the others. And Davrin had so many little jaunts out in the woods that those turned into romantic trips out, which added a lot to his. But Lucanis’ and Hardings? With both of them, like I said before, I genuinely wondered if I had accidentally opted out. Their romances most used the Mass Effect format, and it just doesn’t work for a game this long. BioWare knew that once, long ago, because Andromeda did not use the ME trilogy format for romances and was closer to one they used in DA. But DATV is trying to be ME2, so they used ME2’s very thin romances as a guide.

And we can all see how well that turned out.

The Executors: Fuck me, they feel like Cerberus reskinned, and I absolutely hated when Mass Effect shifted from sci-fi/Lovecraftian horror to space opera with Cerberus as the main bad guys you have to fight with the Reapers functionally falling to the background. The Executors are a secret, shadowy organization pulling strings from behind the scenes like the Shadow Broker codexes in ME2 retconned Cerberus into having been doing in ME. Ugh.

The Andromeda-ification of dialogue: Remember Peebee? Remember how she talked? Give her long hair and pointy ears, and she’s Bellara. Down even to the techno-babble. It’s like they’re trying to change magic to just “sufficiently advanced technology.” Everyone speaks in that modern, quippy style that was annoying in a game set hundreds of years in the future because it felt dated by the time the game came out (Ryder makes a Frozen joke, y’all). And it feels completely out of place in a game set in an early modern setting (I don’t think DA is medieval, honestly - it’s more a pre-industrialization/early scientific revoltution setting, so more 1500-1700s, and I’m gonna stop now). It was jarring. You can only let one quirky character break the rules about how people talk (Alistair in DAO, Varric in DA2, Cole in DAI) but when everyone does, it’s jarring. You can be anachronistic, but you have to know what you’re doing and how to do it when you do, and I’m sorry, but the current crop of BioWare writers don’t. They wrote the dialogue like it was a modern day YA novel, not a Dragon Age game. It would have been fine for a modern day urban fantasy game. It was not fine for a DA game set in the same time period as people using the four humours for “modern” medicine (remember the surgeon in DAI? Talked about the four humours? Yeah.)

OK, I did not intend to go on for this long, and I haven’t even gotten to what the game did to how religion is handled or the sociopolitical aspects of Thedas, and how they threw out so much that made Dragon Age unique in their urge to do a soft reboot, so I’m just going to end it here. I wanted to love this game, and I can only do that if I turn my brain off, and that’s not what Dragon Age should be.

#veilguard spoilers #dragon age veilguard #datv critical #veilguard critical #the Mass Effectification of Dragon Age

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lawofangie · 15 hours ago

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have you changed your old and set gpa / grades to a new one? i guess this would be along the lines of revision

also, for big exams or whatever that most people seem to have super hard times with even with studying the best they can like the mcat (medical entrance exam basically) how would you go about that? let’s say you didn’t want to do much prep for it, can you just assume you’re top percentile with the score you get back and if there’s inspired action you can get into that, or do you actually have to put in some level of work? this may have been worded badly LOL my apologies

i did! i believe my old one was a 3.0 or something like that and i manifested it being a 4.0! i'm currently a senior in highschool and the "hardest" thing i'm taking right now is physics. if i didn't assume my grades were always high and relied on the 3d to tell me how they were, i would probably be failing miserably right now.

personally, i hate studying and i always thought to myself about how i would much rather spend my time taking care of myself and improving my life somehow. i could be spending time with friends, my sp, family or trying new hobbies, going new places, traveling.. i've honestly always found school to be a waste of my time that i could be spending doing so many other things. i used to get so anxious and scared over school and put it on this pedestal like my future depended on it, when that wasn't true at all.

i had to realize that i was doing myself a disservice my pretending that these things somehow mattered more than my input, my wellbeing, and my say in matters. acting like anything depended on "top percentiles" or approvals is a way of distracting yourself from the fact that you are the one accepting this as true. you are the one deciding "if my grades don't look like this, i won't succeed", when in reality, your grades and scores are quite literally said to be a way of being prepared.

a lot of administrators actually don't know what standards schools are choosing by because even if you have the good grades and good exam scores, there's still that chance of you not being picked. this goes back to my point on reliance and how that's your conscious decision. also, leaving things up to "chance" or "luck" (a made up concept) is honestly stupid when you really think about it. you're choosing to let things decide themselves, but somehow you can't decide?

i've noticed that people often put trust in many irrelevant things, like gods, deities, stars, cards, palm readings, psychics, mediums, other people's inputs, etc. and i've realized that nobody ever puts trust in themselves for some reason. isn't that weird? it's fine when you put trust in the things you're not even sure where they originate, the validity, that you can't even see or be sure of.. but the one thing you can be sure of (yourself), is somehow untrustworthy?

it was for this reason that i realized that i need to get more comfortable with myself and deciding i have things without relying on some external factor to tell me that i do. it just doesn't make any sense and it doesn't even work. at the end of the day, your mind is going to sway one way, either you'll believe you succeed, or you didn't.

but anyways, what i'm saying is that being the top percentile is not at all necessary to reach your goals, because at the end of the day it is up to you and the way you feel about yourself, whether you realize it or not. you are the one deciding, even if you have good grades, where you are going to make it in life. you are the one deciding EVERYTHING about your life, your self image, your relationships, yourself, everything regarding you is up to you (obviously).

but, to answer your question properly, no. you do not need to put in any level of work. the law simply states to assume ("whatever you assume to be true will be true"), not to do anything else. everything takes care of itself the moment you simply decide it is true. inspired action is usually something done unconsciously, like for example, you want to manifest money. you decide you have $100. then as you randomly decide to clean your room, you look under your pillow and find $100. (this happened to me but i found it in my drawer lol).

inspired action and trying to force something to happen are two different things, again, one is done unconsciously and the other is done with the intent of hoping something happens. and what does hoping imply? it implies that you don't have it. if i said "i hope i have $100", i obviously don't have it. if i said "i have $100", then i very clearly have $100. you have to assume it in order for it to be true. and that means, you take your own word for it regardless of what you're being shown at this very moment. you have to decide that it already happened.

i'm sorry, i know this is the part that so many of you guys hate since you like being bossed around by other people, but this is how the law works. it's the only rule you've been provided with, and yet so many of you fail to follow it. an assumption is something you believed to be true without proof. the law requires you to believe something, we (coaches, bloggers, teachers, etc) are the ones telling you to believe something *positive*. the law itself is indifferent, you're free to believe whatever you want, good, bad or indifferent. nobody has control over your mind or thoughts but you.

and yes, it has to be you. not your friends, not your parents, not your teachers or professors, not your bosses, not the random strangers on the street, not the people you only meet once, you. because this is your reality. you're experiencing life as your own person with thoughts, feelings, opinions, goals, dreams, a functioning body (hopefully?), and your own eyes. it's yours, and yet so many of you struggle to realize that.

your manifestation is something that's supposed to happen naturally, it's supposed to find a way to grow into your world comfortably, like the example i just provided. (please don't take "find a way" out of context, i simply mean the "how" is not up to you. everything else is. the law of assumption is a law. it has to materialize, and it does, this is also not to say that it will necessarily be "unexpected" or "strange", you just won't know how it will unfold.)

putting in a level of work just comes from a place of doubt (or misinformation, but let's not talk about that right now). you doubt the fact that you can truly sit back and relax and have things work for you. it's a belief that will do absolutely nothing for you and not benefit you at all, though i'm sure a lot of you believe many things that don't benefit you, and you don't really seem to care.

and how would i go about applying all of this? i would simply decide that i have passing marks or that i got accepted into whatever school i wanted regardless of my grades. there is only one rule to manifestation, you can't break it, but you can bend it however you want as long as you assume. the only rule to the law is literally to just apply the law, so do whatever works for you.

if you just wanna feel good about your grades and feel even better getting accepted into a school, go ahead. if you're coming from a place of fear and feeling like you "need to manifest this or else", please take a step back and consider the fact that this is all up to you and i just told you it doesn't work that way. remember that you only feel this way because these standards have been drilled into your mind for years by the people around you. you've basically been conditioned to care about your grades and limit yourself to or only believing in getting going to school for a job.

we as people are the ones who give things we created significance and purpose. nothing is fundamentally real, it is all manmade, and so, you shouldn't be putting it on a pedestal. you are the only one keeping these standards alive in your head and keeping the assigned significance of these standards alive in your head. none of it really matters and we all know that deep down. we are all going to die one day and we literally live on a floating rock in the middle of fucking nowhere. please don't stress yourself out over stupid shit and live your life the way you want. just decide it's yours.

hope this helps! feel free to send me another ask if you still have questions. 🩶

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synthshenanigans · 2 years ago

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What platform do you use to make your art?

Also any tips for very new artists who are bad at art

IbisPaint X!! Its free & im p sure its on most devices (i use my phone for like 90% of my art).

But sometimes ill plan out or make a rough draft of a piece on my tablet. Its an amazon one so its got like NO art apps...at all. But the best ive found thats free & its called ArtFlow!

As for tips about art, im like the worst at answering that since 90% of when im drawing im just fuckin around and attempting to find out. Most I can think of to say is below! [its a bit long oops]

1. Have fun with finding your style. My art style almost changes every year if not like multiple times a year. Hell if you look at how i drew HMS in like, March it looks very different than how i draw them now. But every time it changes i feel more confident in it! Also its just fun sometimes to draw in a different way :}

2. Its 100% chill if you ever feel burntout or feel like ya "lost the touch". Feel like its said a lot but you do get out of that pit (haha get it like the song) eventually and youll prolly even make something ur hella proud of! Also if its not goin great its good to take a br8k and maybe try the next day. Sometimes ya just be in a funk and its best to make sure ur all hydrated n rested. And a much as i don't listen to myself sometimes, those things rlly do help

3. Last thing i can think of is that its sometimes real difficult to find a good reference of somethin. Whether it be like a pose, an outfit or something, you can always use yourself as a ref! For things like a ref to look at or even to use as a base. And of course not everyone like taking a photo of themself (me included) but its not only very helpful and takes less time than searching through pinterest & google for like an hour, but helps you get confident in yourself! Ive never be confident in myself (specially with that gender dysphoria an all) but it helps to take a photo in a pose, outfit or even a half ass cosplay. Gettin used to yourself in a photo might take a bit but it takes you a good way.

Sorry if this didnt help im not quite good at tips and teaching things. If youd like more ideas/help with things like shading or somethin, id be happy to post a vid of like a speedpaint or something on how i color n stuff :}

Hope this helps!!! 💜

#apologies for the long post #i had a lot more to say than i thought lol #but yea my art is 60% im going to attempt this without any thought and 40% fuck it we ball #asks #moss post

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cy-cyborg · 9 months ago

Text

Toph Beifong doesn’t hold up as disability representation - Disability in the Media

[ID: A screenshot of Toph, a twelve-year-old girl with black hair in a loose, green and tan short-sleeve shirt and shorts, cheering in an arena. Next to text written in a rough, blocky font: "Disability in Media - Toph Beifong Doesn't hold up as disability representation" /End ID]

Avatar the Last Airbender is one of my all-time favourite TV-shows, and Toph is still easily one of my favourite members of Team Avatar. I was a few years younger than Toph when the show first started airing, and being a disabled kid who was into martial arts, constantly being dismissed by my able-bodied opponents and teachers, meant that I connected very strongly with her right from the get-go.

But upon my last couple of rewatches of the series, I began to come to the realisation that my opinions on Toph as a shining example of good disability representation were... well, pretty heavily influenced by my nostalgia for the show and that many aspects of Toph's character just don't hold up today. Which, honestly is fair, the show is nearly 19 years old (if it were a person in my country, it would be old enough to drink) and I think it's pretty ridiculous to expect every part of every character from an 19 year old show to age well. So today I wanted to talk about the things I think Avatar the original Last Airbender did right with Toph, where I think they missed the mark, and what changes I think would need to be made to Toph to make her work for a modern audience.

So let's start with why I think Toph doesn't really hold up as "good disability representation" today, and the elements of her character that just haven't aged as well.

For me, one of the biggest issues I noticed upon rewatching the show, is how often we are told (often by Toph herself) that she is blind, but how infrequently we are actually shown it's impact on her life beyond her bending or outside of jokey contexts. Outside of her bending, we only ever see her blindness impacting her ability to do things like read or write, otherwise, she functionally has full vision -so far as the audience is informed - with the only exceptions being when she's in the air or water (e.g. on Appa or in the submarines) or in loose soil (e.g. the desert). Having places and circumstances where she doesn't have access to her power that allows her to "see" was a step in the right direction, but I do think it would have been better if her seismic sense wasn't quite as accurate, even in the most ideal of circumstances.

But why? Well, I think Suki explains it really well, long before Toph is even introduced. when Sokka says "I should have seen you as a warrior instead of a girl" Suki stops him and says "I am a warrior, but I'm also a girl". Being a warrior and a woman are both important parts of Suki's character, and only recognising her as one or the other means ignoring a big part of who she is, and the same is true for Toph. Being blind is a big part of toph's character that has informed a lot of her life, but so is being a warrior and bending master. Many people see Toph as a warrior or fighter, but ignore her disability, but both are important. She's disabled, and a warrior, and those things don't cancel each other out, the same way being a warrior doesn't diminish Suki's status as a woman.

When the show was still airing though (and even still today) it was very common to see non-disabled fans of the show exclaiming that they honestly forget that Toph is even blind sometimes, with many people going so far as to say that she's not even disabled (and that this was a good thing). While I do think some of that comes from the fact they weren't used to seeing a disabled character as both disabled and an active participant in these kinds of stories, I do think this mostly happened because of the show's lack of, well, showing the impact of her blindness on her daily life and allowing her earthbending and seismic sense to erase the effects of her disability to some extent. It's much harder to forget a character is blind when it impacts their daily life in ways that are shown to the audience. This doesn't have to be in big, showy ways mind you, showing things subtly but consistently works way better than one "very special episode" type setup.

In the show as it is though, the seismic sense functionally gives Toph a perfect image of her surroundings until it's just not available anymore for *plot reasons*.

[ID: A black and white shot of Toph and how she sees the oponent she's fighting, with shockwaves radiating from him towards her to indicate how she's interpreting the scene. Her foe has jumped into the air and now has his hand dug into the ground of an arena, about to launch rocks towards her. /End ID]

In many ways, her picture of the world is better and clearer than what the non-disabled characters can see, leading to this feeling of her disability being erased. It may have been better though if the seismic sense could give her a general idea of big things in her immediate vicinity but she still missed the finer details, functioning at least a little bit more like a tactile/earthy-vibration version of the limited sight some legally-blind people have in real life. Things like a person's position, movement and overall pose would still be "visible" to her in a general sense, as well as big things in the environment (including things underground, since there are a few plot-points that require that), but smaller things like details about objects and creatures, people's facial expressions or what they're doing with parts of their body that have no direct contact with the ground (like their hands) is less clear. On top of this, she may struggle to detect smaller, lighter objects or creatures that realistically wouldn't cause much of a vibration at all. creatures as small and as light as Momo and Hawky for example might be detectable, but "fuzzy" to her, and anything smaller might make enough of a vibration to tell her it's there when it moves, but not enough for her to be able to tell what specifically it is without some other cue (such as sound). There are a few moments in the show that seem to imply this is what they were initially going for, but it's not really consistent, and is directly contradicted in her debut episode, "the blind bandit" when she explains that she can even "see" something as small as the ants off in the distance.

[ID: A shot of Aang, a twelve-year-old bald boy with an arrow tattoo on his head, dressed in a yellow and orange outfit, standing with Toph at night. In the foreground is an anthill will a trail of ants, which Aang is looking for. /End ID]

With an adjustment like what I'm suggesting though, she still serves her narrative purpose of teaching Aang the importance of being able to wait and listen - possibly even more so, as her needing to wait and collect more information in order to get a clearer image before striking, would back-up what Bumi tells Aang that he needs in an earth bending master. It would also still help to illustrate the connectedness of the world, a theme Toph continues to embody heavily in The Legend of Korra, while still showing the ways her disability impacts her more frequently.

When I talked about the "super-crip" trope a while back, I mentioned that one way to avoid the more harmful elements of the trope (where the character's disability is erased by their powers) is to use the ability in question more like a mobility or disability aid than a straight-up cure. The power should help them, but shouldn't make their disability redundant. People are creative and we would find ways to use a superpower or magic to help with our disabilities if it were available in real life, but what's the point of including a disabled character if you're just going to functionally erase their disability? For a character like Toph, I think this is the kind of approach that should be taken with her. Her seismic sense still helps her, but it's not a perfect replacement. (Ironically, I did use Toph as a "good" example of that trope, but I do think after this last rewatch, for the reasons I'm discussing here, I might have to backtrack that a bit).

I considered giving an alternative approach here, to keep the sensitivity of toph's seismic sense as it is in the show as is, but giving it draw-backs such as making her susceptible to sensory overload similar to what autistic people experience. However, while replacing one disability with another can work for some characters and stories, I don't think it's the best adjustment to make for Toph or any blind character, largely thanks to this also being a trope. The "blind (or d/Deaf) person who's other senses become super-human to make up for it" trope is very common in fantasy, sci-fi as well as older martial arts films, and while I'm not really the best person to cover it, I do know that members of both the blind and deaf communities have expressed a lot of frustration with it. Toph already falls into this trope quite a bit, and any suggestions I could make would have just dialled that element up to 11, and fixing one problem with another is never a good idea.

Another thing that actually did bug me for a while, even before my most recent rewatch of the show, is how Toph is treated on the rare occasions she does point out something won't working for her. There are a number of times where Toph advocates for herself and points out that something The Gaang is doing isn't accessible to her or sets a boundary to do with her disability, and she's either left behind, her concerns are brushed off or she's ignored entirely. The three most noticeable examples of this are in the Episodes "The Ember Island Players," "The Library," and Toph and Katara's segment of "Tales of Ba Sing Se."

In the Ember Island Players, Toph complains that the seats they have for the play are too high up and too far away, and she's unable to "see" what's happening on stage. Her friends don't really take any notice of her though except for Katara who tells her not to worry, "I'll tell your feet what's happening."

[ID: A shot of Katara, a fourteen-year-old girl with long brown hair and blue eyes, sitting with Toph, who is sitting with her arms crossed, annoying in a theatre seat. Both Toph and Katara are wearing red and gold, fire-themed outfits. Katara is looking at something off-screen. /End ID]

My problem here is that this particular kind of situation is something that is familiar to a lot of disabled people. Even the least independent disabled people I know get annoyed when their access needs or requests for accommodations, even among friends, are ignored and their pushback is brushed off with "don't worry, I'll just help you!" It's one of the first things that many disabled people tell non-disabled folks wishing to be better allies to us: you offering help instead of actually accommodating us isn't a good thing. We don't want to rely on others if we can avoid it, because honestly, non-disabled people often aren't very good at actually helping or in this case, relaying information to us without training and more often than not, it just results in us being left out. I find it very hard to believe a character as independent as Toph would accept that without any protest, especially considering that is pretty much exactly what ends up happening (even if the show didn't really acknowledge it). Katara never actually conveys anything about the play to Toph, except when she's attempting to throw Toph's words back in her face when she asks for clarification about the actor playing her - which ends up backfiring on her.

[ID: A shot from the same location as before, this time Toph has a huge smile on her face and is leaning on the balcony excitedly while Katara is leaning towards her, annoyed by her reaction. /End ID]

While it would have been better if Toph was actually listened to, it would have been…fine? if a justification was given for why they had to sit there (e.g. to avoid being recognised), if Katara had actually described the play for her. This wouldn't have been ideal, but it would have been better at least. In real life, many movies, TV shows (including this show's sequel series, The Legend of Korra) and other forms of visual media have an Audio Description track that does exactly that. If they weren't going to move for Toph to be able to see better, having Katara describe the play could have introduced kids to the fact this is an option. but instead it's brushed off, and I'll admit, it left a bit of a bad taste in my mouth, even back in 2006.

The Library is a bit more forgivable in my opinion, since Toph is still new to the group, but in this episode, she states that she doesn't want to go inside the spirit library because she isn't able to read and therefor there wouldn't be anything for her to do. However, it still would have been nice to see her friends consider this at all before they actually arrived. They could have (and should have) still gone, but some acknowledgement that they at least thought about the inclusion of their disabled friend would have been nice.

[ID: A shot of Aang, Katara, Sokka and another man are talking while looking down at a map on the table. Meanwhile, Toph is sitting on the other side of the table, completely disinterested as she sips from a large ice cup with her feet up on another chair. /End ID]

Alternatively, I do feel like Wan Shi Tong, a self-proclaimed all-knowing-spirit or his assistants would have been able to point her in the direction of something to interest her, since he does imply books aren't the only form of knowledge he collects.

The reason I mention this though is two-fold. In real life, disabled people are very often left out of "fun" group activities, whether that be in formal settings or in casual ones, like hanging out with friends. If the episode had been framed as "the Gaang learns about the library and decides to track it down," I might have been less critical, but it's specifically framed as something that at least starts out as a kind of break for the team where they all take turns picking out fun things to do so they can rest, and Toph's access needs not being considered at all until they're already there hits a bit close to home, especially since they just end up leaving her outside. Secondly, there's also a stereotype that disabled people (and especially blind people) don't belong in academia and places of learning, such as in this case, libraries. This stereotype is about as old as the concept of organised institutions of learning, and definitely isn't unique to AtLA, but the assumption is often that disabled people wouldn't be interested in more formal methods of learning, so it's not worth accommodating us. With blind people in particular, when I've seen this in media, the premise is often "well I can't read anyway so why bother?" which Toph definitely falls into here with no push-back against the trope.

[ID: A close up of Toph and the rest of the group, Katara, Sokka and Aang standing in a desert. Toph shrugs, looking bored, while the others looks confused and surprised with the exception of Katara, who looks mildly annoyed, standing with her hands on her hips. /End ID]

It does make sense that she would have been resistant to going in, and I'm not saying this episode should have turned Toph into a bookwork akin to Wings of Fire's Starflight (another blind character) or anything. But there was a chance in this episode to push back against some of these assumptions, and I think it's a shame they missed it. How cool would it have been if Toph had mentioned not feeling welcomed in more formal learning spaces because of her disability, which was just reinforced by the way her old earthbending instructor and her parents treated her. She decides to go inside the library anyway as "backup" in case something goes wrong, grumbling about it the whole way down. Wan She Tong starts his introduction mostly the same way, saying humans aren't welcome and Toph makes a snarky comment about it. Wan She Tong, equally offended that this human thinks he, the all-knowing-spirit, wouldn't have considered something, shoots back with an annoyed comment about humans being so self-centred. He explains that spirits come in all shapes and sizes, and not all of them have eyes, but they can still access his library. She's not the first sightless being in his study, and he-who-knows-ten-thousand-things knows this too. Once everyone is permitted entry, one of the knowledge seekers shows her to a series of slates about a lost earthbending form that she can actually read (or at least, "see" the pictures on) because it's carved. Or instead of a slate, it's a series of statues outlining the form, similar to what Aang and Zuko find in the episode "The Firebending Masters". Perhaps this form is something that helps her develop metal bending later on, and lays the groundwork for Toph becoming interested in teaching in the comics.

And finally, Toph and Katara's segment of Tales of Ba Sing Se. Katara convinces Toph to go get a makeover with her as part of a girl's day. Overall, this segment of the episode is pretty nice, and I liked that they showed that a person's gender expression (in this case, being a tom-boy) doesn't mean they can't like things outside of what we usually associate with that. Tom-boys can like girly things on occasion, and vice-versa, and I think this is an example of an episode that would seem a bit ham-fisted today, but honestly, was needed in 2006. However, there's a throw away joke where Toph says "as long as they don't touch my feet," and it immediately cuts to show spa workers filing down the calluses on her feet in a way so painful several staff are required to hold her down.

[ID: An image of Toph in a bath robe being held down in a chair by two spa workers while a third scrubs at her feet so hard that she is sweating. Meanwhile Toph is fighting against the two holding her down and has a facial expression like she is in a great deal of pain. /End ID]

this might be a minor thing in the grand scheme of the show, but it's still another example of Toph's boundaries about her disability and her access needs being disrespected by her friends, which the show just doesn't acknowledge it at all. People ignoring Toph's wishes about a part of her body she depends on in a much more direct way that others do is played off like a joke in a montage of otherwise enjoyable and goofy activities and this is a very, very common experience in disability circles.

There are a number of other, much more minor issues that show up with Toph as well, such as the fact she's the only one of the main cast who never has an on-screen (or on-page) relationship. not in the original show, not in any of the comics and not in The Legend of Korra. Again, it's not a big issue on it's own, especially because in AtLA, she's young enough where it's possible that she was just not interested yet, and she does have kids in The Legend of Korra where she mentions a relationship with a man named Kanto (Lin's father). So it is implied she does have some form of relationship eventually, but the issue is that it's never shown on screen or on the page. This feeds into a wider pattern in media of disabled characters being the only ones in their respective cast not given on-screen romantic relationships in stories, and so I still think it's worth pointing out, especially since the creators have had a lot of opportunities to correct that by now.

Toph is also portrayed, pretty much undeniably, as the best earthbener in a way that, at times, comes across almost like the creators felt like they need to compensate for her being on the team "despite" her being blind. This trope is one that I think Toph, at least partially, helped to popularise with the current generation of story tellers: The Disabled Savant. In this trope, disabled characters aren't really given the same room for growth as other characters; they aren't permitted to be average or still learning, they start good and get better. If they do progress, they often become the best, which is the case for Toph. To be fair, everyone in the The Gaang is the best at their respective skill by the end of the first series, which is why I say this is a minor point. She dose, however, have the least amount of on-screen growth in skill out of the whole team. Katara starts out barely able to lift any water at all, let alone actually bend it. Sokka is skilled with weapons from the start but does get his butt handed to him a number of times by others with more experience than him whom he learns from throughout his story arc. Zuko spends most of the early-to-middle of the show having things "blow up in his face" (to use his own words) and being belittled by his family of prodigies. While Aang is an airbending and, to a lesser extent, waterbending prodigy, he fails at pretty much everything else for a while before he starts to find his confidence - especially earth and firebending, not to mention the entire situation with locking himself out of the Avatar state. Toph is the only one who doesn't seem to fail or struggle all that much from a combat perspective. She does grow and improve in her bending (she invents metal bending after all) but she never has any moments where she really messes up or even struggles in combat all that much compared to the others.

All of these points and criticisms I've mentioned are not necessarily big in and of themselves, but when looked at together, they build up to create some issues with how Toph is depicted and how the people around her treat her disability

So that's it then? Toph is bad disability rep and Avatar should be "cancelled"?

God no. Like I said at the start, I still adore Toph and Avatar as a whole, but the show is a year away from being two decades old, it's bound to have some elements that don't hold up and I think it's worthwhile discussing them, specifically because I love the show and it's characters. Despite all the negativity I've brought up, I do think there are a lot of things AtLA did well with Toph too.

I've mentioned a few times that we rarely see how Toph's blindness impacts her life outside of her bending and combat abilities, and there's a reason I made that specification. Unsurprisingly, if you know much about the show's development, the ways in which Toph’s blindness and seismic sense impacts her bending and fighting style is one area where the show really does shine, and I still think that is worth a mention. The various types of bending are based on different styles of martial arts, specifically, different types of Kung Fu. Most earthbending in the show takes heavy inspiration specifically from Hung Ga, but Toph is different. Her bending heavily references Southern Praying Mantis Kung Fu, something unique to her within this world.

The reason for this (outside of simply wanting her to be visually distinct) was because the show’s creators made sure to consider what limitations Toph might have and what parts of the more common earthbending styles wouldn't work for her. Since her connection to the earth was critical in order for her seismic sense to work, they decided on a style that would keep her feet on the ground more, prioritised strong stances with minimal jumping and put more focus on attacking with her upper body. While not an intentional choice, the style they went with for Toph, according to the show's head martial arts consultant, Sifu Kisu, was supposedly developed by a blind woman in real life, at least according to legend. The creators also made further adjustments to the style with the help of martial arts consultants and just watching Toph fight is evident that a lot of love and care was put into the decisions made on that front.

I also appreciate that Toph's disability wasn't off-limits to joke about.

[ID: A picture of Toph waving her hand in front of her face with an exaggerated smile to remind the others she's blind. /End ID]

As I already mentioned, they didn't land 100% of the time, but lot of shows are afraid to use disability as a source of jokes, which would have felt weird and out of place in a show like Avatar. I see this hesitance in real-life too; people get extremely uncomfortable when I joke about my own disabilities and I've heard several people and even disabled comedians talk about the same observation. My last video on Tik Tok that got outside my usual audience was a joke about my prosthetic leg, and every single stictch and duet I received was people saying some variation of "I'm such a bad person for laughing!" "I'm going to hell!" or just straight up asking if they're aloud to laugh. If I didn't want you to laugh, I wouldn't have posted the joke! But joking about disability does make it more approachable. Despite how often Toph and the others made blind jokes though, outside of the one instance I mentioned earlier, they never felt mean-spirited or like they were punching down. Even when a very sleep-deprived Katara was intentionally trying to be.

I think it's also worth keeping in mind the context of the media landscape when Avatar The Last Airbender was airing. Today, characters like Toph are very common, so much so there's a whole trope about them (super-crips) but at the time, having a character with a major disability be a main character in an action-orientated kids show like Avatar was really rare. She wasn't the first of course, but a lot of the time, if they were included, they were almost certainly sad and depressed, wishing for a cure or they were designated to the roles of "Guy in the chair" (which is a character, usually a tech person, who helps from the background), inspiration, scary villain fake-out (or other variations of "creepy" character) or the actual villain. Having a character that was not only comfortable in her skin as a disabled person, who didn't want or need to be "fixed" or "cured" to be directly involved in the story, and who's main obstacle (at least in season 2) were how the people around her treated her, was pretty ground-breaking at the time (pun not intended) and went against the most prevalent stereotypes of it's day.

And I really want to emphasise that. For many Millennials and older Gen Zers, myself included, Toph was the first character that didn't tell us we were broken and needed to be fixed in order to be part of the group (even if they slipped up with that messaging occasionally). Prior to seeing Avatar, I honestly thought there was something deeply wrong with me for being happy with my life (a reminder, I was 10 years old when this show first started airing), because every other disabled person in the media only ever talked about how much worse their life was because of their disability, how much they hated it and how much they hated themselves. Many outright said that they wished they had died rather than become like me. Toph wasn't the first to go against those tropes, but she was the first example of a disabled character who wasn't like that many people my age saw. Did she do it perfectly? Hell no, but personally, back then, I was happy to have a character who maybe over-corrected and took things a bit too far than another sad character talking about how lives like mine weren't worth living.

I also deeply appreciated that Toph did struggle with her independence, at least initially, and where to draw the line with accepting help. Because of how much she'd been coddled and overprotected as a little kid, she saw any attempt at people being helpful and working as a team as them trying to baby her. It was very on the nose, but I liked that the show gave her an episode just dedicated to realising that it's ok to accept help. Again, this is a bit of a story telling trope today, but having the disabled character realise that it's ok to accept help, and to do it without talking down to them or saying that them wanting independence was bad, was a refreshing change compared to what was around at the time.

[ID: a zoomed out image of Toph, standing before her parents with Aang, Katara and Sokka standing behind her. /End ID]

While I think the show's creators could have benefited from consulting with disabled people and specifically blind people the same way they brought in consultants for the martial arts featured in the show, it's very clear to me that the intention behind Toph's character was good, and that actual effort was put in to make sure they depicted her well, even if some of it was a bit misplaced. It's also worth noting that the groundwork for a lot of my suggestions is already in place, they just didn't follow it all the way through. Overall, I'd say Toph was good for her time, and she's what was needed in the 2000's, even if she doesn't hold up as well today. I also think it speaks to how far we've come in terms of disability representation. When I first started engaging with the online fandom directly, almost no one, even other disabled people, argued that Toph wasn't good representation, because honestly, the bar was on the floor and we were just happy to have something different. But now there are options, and the standards are higher, and that's so, so good. It means that people, even in the media, are starting to listen and be more thoughtful about their depictions of disability than we were in 2006.

And finally, I want to really quickly mention The Netflix adaptation of Avatar. A few people have asked me now what I think they should do with Toph when they get to her, and what my predictions about the show are. I'm not going to talk about my predictions here, because this post is already way too long and that's not what this is about, but I don't think the suggestions I made today would necessarily work in this particular remake, primarily because of the tonal differences. Some adjustments definitely could, such the other characters doing a better job at listening to Toph when she points out inaccessibility and them actually considering her in the first place, but others might be harder to balance. The original show could get quite dark and serious at times, but it was primarily a light-hearted adventure story for kids. From what I've seen of the live action remake though, they're more heavily leaning into those serious elements - for better or for worse, and as such, trying to tone Toph down in the specific ways I mentioned might not balance out as well as it would in the original show. At the very least, the specifics would need to be different. To be honest, I'm not entirely sure what approach they should take, that's not really the point of this post, but I did want to quickly address it to avoid confusion. My suggestions today were specifically on how to approach the cartoon version of Toph for a modern audience, and were not meant to be read as suggestions on how her live-action counterpart should be depicted.

#writing disability with cy cyborg #Wow I had a lot more to say about this than I thought (I think this is my longest post to date lol)#writing disability #disability representation #writeblr #writing #Avatar #avatar the last airbender #atla #Long Post #toph #toph beifong #the gaang #Animated Avatar #disability in media #fantasy

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